Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
The Draytons - David, Steff and their son Billy - live in a small Maine town. One night a ferocious storm hits the area, damaging their house. The storm is accompanied by a strange mist the following morning. David and Billy and their neighbour Brent Norton go into town and find themselves trapped in a grocery store with several other people. There they discover that the mist contains something frightening and intent on killing humans.Written by
When David grabs a comic from the rack in the pharmacy, you can clearly see an issue of "The Goon" towards the bottom. Eric Powell, the creator of this comic, is shown on the special features as a friend of Frank Darabont and crew for the day. See more »
As the group walk up to the pharmacy, you can see the business hours on the door glass readable from inside; whereas you should see them backwards (from inside) so that someone walking up to the door would see them correctly. See more »
The end credits begin as the song at the end of the film fades out. As the end credits roll up the screen, the sounds of military vehicles (helicopters, tanks, APCs, etc.) can be heard over the credits. See more »
Screenwriter and Director Frank Darabont wanted the movie to be shown in black and white. Eventually it was filmed in color but a black and white version of the movie is on the 2-disc DVD release. See more »
I was very impressed by this adaptation of Stephen King's 'The Mist'. I have been a fan of the story since it came out and have played the text game and have heard the 3-D audio version of it. This is a masterful suspense/monster movie that puts an ensemble cast into the untenable situation of being in a deteriorating situation they cannot escape from. We watch as alliances are formed, religious paranoia takes hold and, nicely, the movie takes the time to establish characters whom we come to care for before the true action begins. I dock it a couple of points because some of the monsters seemed a little too cgi, and the middle lags a bit, but the much talked about ending is indeed awesome and I was most impressed by the director's decision to keep the music soundtrack down and even eliminate it completely during many of the action sequences. So many movies nowadays crank the music up to 11 to make up for the fact that their suspense scenes do not work. This movie does. I was breathlessly on the edge of my seat for most of it, even though I was already familiar with the story. Highly recommended.
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