| Cast overview, first billed only: | |||
| Julia Roberts | ... | Liz Gilbert | |
|
|
I. Gusti Ayu Puspawati | ... | Nyomo |
|
|
Hadi Subiyanto | ... | Ketut Liyer |
| Billy Crudup | ... | Stephen | |
| Viola Davis | ... | Delia Shiraz | |
|
|
A. Jay Radcliff | ... | Andre |
| Mike O'Malley | ... | Andy Shiraz | |
| Ashlie Atkinson | ... | Bookstore Girl | |
| James Franco | ... | David Piccolo | |
| Lisa Roberts Gillan | ... | Woman in Play | |
| Ryan O'Nan | ... | Play Walk-Out | |
| Gita Reddy | ... | The Guru | |
|
|
Dwayne Clark | ... | NYU Student Boyfriend |
| Jen Kwok | ... | NYU Student Girlfriend (as Jennifer Kwok) | |
| Mary Testa | ... | Laundromat Gal | |
Liz Gilbert (Roberts) had everything a modern woman is supposed to dream of having - a husband, a house, a successful career - yet like so many others, she found herself lost, confused, and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything to change her life, embarking on a journey around the world that becomes a quest for self-discovery. In her travels, she discovers the true pleasure of nourishment by eating in Italy; the power of prayer in India, and, finally and unexpectedly, the inner peace and balance of true love in Bali. Written by Sony Pictures
Glossy self-help romantic-drama from Elizabeth Gilbert's bestseller concerns New York-based writer who walks out on her routine marriage and later has an affair with a college student who turns her on to the teachings of a guru in India. Having the financial resources (natch), our heroine decides to take a year off and travel first to Italy (where she learns to relax and let go of that old American stand-by: guilt); then it's on to an ashram in India (where she learns to meditate); and finally, Bali (where she meets a sensitive, available Brazilian who hopes she'll learn to accept love and return it). Extremely lightweight confection seems to be tailor-made for its star, Julia Roberts--the camera is always on her a second too soon and lingers there seconds too long. To her credit, Roberts doesn't overpower the proceedings with her dynamic personality; rather, she conforms to the material and has several very strong acting moments. However, the ridiculous third-act is nothing more than a meet-cute, last-chance love story, undermining the movie's (apparently) sincere intent to ferret out something substantial within this study of character, resulting in yet another mended-hearts happy ending. ** from ****