After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
In the dysfunctional Italian middle-class family Ristuccia, the middle-aged executive Carlo has a stalled life without passion, bored in his work and having a monotonous life with his wife ... See full summary »
Lambast the singing all you want, but that's exactly what makes this show something different to watch. I applaud the execs who had the guts to try something off the mainstream. Everyone knows Las Vegas is hot, and NBC already has that cornered.. so why try to compete with the same format? All of you who complain about the singing are missing the point, totally. I expect that every person (men usually) who say they can't stomach musicals have deep down inside, in that dark closet, a soft spot for song in a movie. Or a TV show in this case.
Yeah, it didn't work in Cop Rock, because WE ALL know what cops are supposed to be like. And singing cops is just plain weird.
But the characters in Viva are meant to be cartoonish- almost larger than life... I mean, how many Nevada casino owners do you know? And who says what they're supposed to be like? Most casino owner stereotypes are built of fiction. So why is it so far fetched that they break out into a number once in a while? It's a refreshing change of pace in a TV show, and for that reason alone, I say it deserves a FAIR shake!
5 of 9 people found this review helpful.
Was this review helpful to you?
| Report this