The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their teenage daughter, Arrietty, is discovered.
When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
A 12-year-old girl is sent to the country for health reasons, where she meets an unlikely friend in the form of Marnie, a young girl with long, flowing blonde hair. As the friendship ... See full summary »
After her werewolf lover unexpectedly dies in an accident while hunting for food for their children, a young woman must find ways to raise the werewolf son and daughter that she had with him while keeping their trait hidden from society.
Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthralls all who encounter her, but ultimately she must confront her fate, the punishment for her crime.
Chloë Grace Moretz,
The son of a sailor, 5-year-old Sosuke lives a quiet life on an oceanside cliff with his mother Lisa. One fateful day, he finds a beautiful goldfish trapped in a bottle on the beach and upon rescuing her, names her Ponyo. But she is no ordinary goldfish. The daughter of a masterful wizard and a sea goddess, Ponyo uses her father's magic to transform herself into a young girl and quickly falls in love with Sosuke, but the use of such powerful sorcery causes a dangerous imbalance in the world. As the moon steadily draws nearer to the earth and Ponyo's father sends the ocean's mighty waves to find his daughter, the two children embark on an adventure of a lifetime to save the world and fulfill Ponyo's dreams of becoming human.Written by
The Massie Twins
Hayao Miyazaki drew most of the sea and wave imagery himself, experimenting with making it as expressionistic as possible. John Lasseter said that he had never seen water animated so beautifully before. See more »
In the English Dub, shortly after Ponyo is taken back to the ocean, Ponyo's father Fujimoto calls her Ponyo before she mentions the name and yet is still surprised when she demands to be called it. See more »
It's like drugs....good drugs,....but still drugs! And drugs that the whole family can enjoy!
I have a strong feeling that what you think of this film will strongly depend on your frame of reference. If you've never seen a Miyazaki film before, then it will probably confuse the heck out of you. If you have seen a Miyazaki film before, then it will still probably confuse the heck out of you....but you won't really care! That's because I found that the first time I saw one of his animated films, I tried too hard to figure out what was happening and why--and it impacted my enjoyment of the film. Now that I have seen just about every Miyazaki film, I see the bizarreness and just take it all in--enjoying the beauty of it all. In many ways, these films (at least to Western audiences) is like drugs--lots of strange and beautiful images that don't always initially make sense but sure feel great to see!! Of all the Miyazaki films, this might have the most unusual and incomprehensible story line--even more so than SPIRITED AWAY and PRINCESS MONONOKE or MY NEIGHBOR TOTORO. But, like these and many other Studio Gibli films, if you just sit back and watch you are rewarded with a fabulous tale. But, because it is so hard to describe (and others have already done so), I won't even go there.
As for the artwork, it's very typical of one of these Japanese films, though there was one noticeable change. There was a very extensive use of what looked like colored pencils for the backgrounds. This was NOT a bad thing at all--the lovely pastel-like look was very pleasing and unique. In some ways it looked like a tiny bit of Bill Plympton's art style was infused into a typical Miyazaki film. With a high frame-rate, exceptional character animation (which imbued them with tons of personality) and a great "wow-factor", this is an exceptional film for all ages. Though clearly designed more for younger audiences (the TOTORO fans especially), it is a bit scary here and there (during the storm segments) but there is plenty of great stuff for adults. As an adult (at least chronologically so), I loved the cute stuff and applaud the other-worldliness of the film.
A great film--among Miyazaki's best. I don't give it a 10 because I am hesitant to ever do that--plus I did like a few of the studio's other films a bit more (particularly TOTORO). But that DOESN'T mean you shouldn't rush out now and see it--do it and do yourself a favor.
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