The Last Word

So-so. Was initially interesting but drifts from a point and fizzles out. Could have been profound, but ultimately wasn't.

Good to see Winona Ryder, in a rare decent 2000s role for her (good to see Winona Ryder, full stop). Solid performance from her. Wes Bentley is a bit irritating in his role, but maybe it is because the longer the movie went on, the more I disliked his character.

I thoroughly enjoyed this movie. It had my complete attention from the opening and onward until the credits. Its a decent film to watch with a significant other if you cant talk her into Rambo 7.

It leans more toward the drama side of things but definitely had some good laughs. It was casted well, as for I believe it was well acted. I cant really complain about much in this one.

Romano lends himself to a great comedic supporting role to liven up the dark portrayal of the lead character; equating to a great balance in the movie.

The ending was definitely fitting and made the movie end on a rather positive note; considering the movie takes you on a darker walk through out it was nice to see things summed up the way they were.

This is the finest comedy/drama I've seen in a couple of years, and it has the most satisfying ending I've ever seen. The film stars Wes Bentley (ironically, Haley shot the famous videotape of the plastic bag that Bentley shows to Thora Birch in "American Beauty") as Evan, who is a professional author of suicide notes. He meets with his clients, gets a sense of what they want, then asks them to keep a journal of their thoughts for a few weeks, after which Evan produces a poetic, client-customized suicide note for the soon-to-be-departed. He has become so prolific that one of his clients won a national poetry prize for Evan's note; the ever-mordant Evan is quick to add that the prize was, of course, awarded posthumously.

Evan estimates that 30% of his clients actually kill themselves; one who does is a young man named Matt Morris. When Evan attends Matt's funeral---he often attends the graveside service to evaluate the effect of his note on those in attendance---, Matt's sister Charlotte (Winona Ryder) follows him out of the service and asks him if he was a friend of her brother's. Evan lies that he went to Cornell with Matt, and soon he and Charlotte are dating. Trouble ensues when Evan eats dinner at Charlotte's house with the whole surviving family firing questions at him.

Meanwhile, we meet Evan's newest client, Abel (an excellent Ray Romano), an acerbic misanthrope with a death wish. They develop an unlikely bond, and there are some extremely touching (and hilarious) exchanges between the two as they work on Abel's farewell (in one such conversation, Abel, encouraging Evan to pursue Charlotte, tells him to buy her a puppy: "Girls love puppies. They're like heroin with fur!").

Things get complicated between Evan and Charlotte as he has must go to increasingly absurd lengths to conceal his true occupation and the real reason that he knew her brother. I won't reveal any more of the plot, because this is a ride truly to be enjoyed by the moviegoer.

Bentley fulfills the promise he showed in "American Beauty." He manages to imbue his characteristic monotone and piercing gaze with enough hints of emotion to reveal the depths of grief churning below his icy surface. Romano shows surprising dramatic range while retaining his trademark wit; it will be interesting to see if he continues to try to stretch his acting range. (On a side note, he admitted in the post-film Q&A that his psychiatrist reads the script before Romano will commit to any project.) Ryder is the only weak link here. She does a competent job, her doe eyes signaling the hurt over her brother's death that is only worsened by Evan's seeming callousness, but her acting doesn't rise to the level of her co- stars. Thankfully, it is really Bentley and Romano's film, and they make the most of it.

This is an astounding first feature from Haley, who wrote the screenplay in his trailer during breaks while lensing the final season of "Six Feet Under." Although he hasn't yet struck a distribution deal, potential buyers in yesterday's audience could not ignore the thunderous ovation that met the closing credits. Go see this one when it comes out in a theater near you, which it will. You won't be disappointed.

Wes Bentley (from American Beauty) stars as Evan, a very solitary guy who writes suicide notes for other people. At a funeral for one of his clients he meets Charlotte (played by Winona Ryder) who forms an instant attraction to him.

This movie is about their relationship and how their relationship influences and changes Evan's life. All the characters are well developed and realized, and the actors portray them very well. The movie is an original and clever take on the usual romantic comedy. Due to Evan's vocation, it is quite dark. I think 'black romantic comedy' defines its genre well.

The movie seemed very real despite the fact that it centers around a vocation that doesn't really exist (at least on the surface of today's society). It was funny and well written. I highly recommend it for anybody who is looking for a dark romantic comedy that is out of the ordinary.

at first sigh, the Wes Bentley return. with small observation - it is not really a new American Beauty. it is bitter, sarcastic, a kind of dark chocolate. a part of long chain about strange men and nice girls, secrets and fundamental choices but all are only details.because it is a fresco not for a love story but for life love. a different writer and his clients. a meeting and a relationship. and old story, with cinnamon traces, about she and him. I love it. for its aura, for the levels of story for Wes Bentley in his perfect character clothes, for Winnona Ryder and her work to be decent Charlotte.like many films of present,a movie about nothing or only about insignificant events.