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Nine (2009)

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Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.

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(screenplay), (screenplay) | 3 more credits »
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3,316 ( 225)
Nominated for 4 Oscars. Another 8 wins & 56 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sandro Dori ...
Studio Superintendent
...
...
...
...
...
...
...
...
Dante
...
Fausto
...
Pierpaolo
...
Jaconelli
...
Benito
Romina Carancini ...
Production Assistant / Female Dancer
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Storyline

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother. As his chaotic profession steadily destroys his personal life, Guido must find a balance between creating art and succumbing to its obsessive demands. Written by The Massie Twins

Plot Summary | Plot Synopsis

Taglines:

This Holiday Season, Be Italian

Genres:

Drama | Musical | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and smoking | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

25 December 2009 (USA)  »

Also Known As:

Untitled Rob Marshall Project  »

Filming Locations:

 »

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Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

£44,443 (United Kingdom), 20 December 2009, Limited Release

Opening Weekend USA:

$257,232, 20 December 2009, Limited Release

Gross USA:

$19,664,021, 7 March 2010
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| | |

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Penelope Cruz's character, Carla Albanese, is based on Anna Giovannini, the long-time mistress of director Federico Fellini. See more »

Quotes

Stephanie: What would you say the limit to what you could show in movies these days is?
Guido Contini: What would you like to see that I haven't already shown you?
See more »

Connections

Featured in Richard Roeper & the Movies: Nine (2009) See more »

Soundtracks

Be Italian
Written by Maury Yeston
Performed by Fergie
Fergie appears courtesy of will.i.am music / A&M Records
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Frequently Asked Questions

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User Reviews

 
A Hot Mess...But a Mess of Oscar-Worthy Material
9 December 2009 | by See all my reviews

I could honestly say that walking out of "Nine" I felt more conflicted over what I thought of the movie than I have in years. The film can be reviewed in two aspects though, its performances and its story, so I'll dissect those.

Performances: Let me first say that no actress delivered any less than they possibly could, and you could tell that the cast had worked their butts off during production.

The Great- Marion Cotillard in particular delivered what is sure to be one of the most understated performances in recent memory, as well as delivering the two most powerful and emotional numbers in the show. Penelope Cruz was SEXY, and as her character's story was wrapped up she beautifully portrayed a "mistreated mistress," so to speak. Judi Dench was fantastic as the background player in Guido's career, perfectly delivering wit while supporting her friend. Most importantly, these three worked so well because they were interlinked in each other's story, and as a result their plot lines flowed well into each other.

The OK- DDL and Sophia Loren were fine in their parts, simply filling out their roles and not seriously improving on or dragging down the movie in any way.

The Misused- Nicole Kidman, Kate Hudson, and Fergie were all criminally misused, although fantastic when on the screen. All three had stories that didn't synch with the movie, whether they be Kidman (who honestly needed a more fleshed out role that came in contact w/ other characters other than just Guido), Hudson (whose number really felt like it would have made more sense in the beginning of the movie), or Fergie ("Be Italian" felt shoehorned in and disconnected, and would have been a perfect opener or closing number). All three felt particularly disconnected from the film.

I can honestly say that not one of the players in Marshall's cast disappointed, but it was Marshall himself and the messy script (irony!) that jumbled up the movie and left me with a very disjointed, disconnected result. Each scene was Oscar-worthy, but they were only partially threaded together into a cohesive story.


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