A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.

Director:

Lars von Trier

Writer:

Lars von Trier
Reviews
Popularity
1,570 ( 28)
21 wins & 33 nominations. See more awards »

Videos

Photos

Edit

Cast

Complete credited cast:
Willem Dafoe ... He
Charlotte Gainsbourg ... She
Storm Acheche Sahlstrøm Storm Acheche Sahlstrøm ... Nic
Edit

Storyline

A grieving couple retreat to their cabin in the woods, hoping to repair their broken hearts and troubled marriage, but nature takes its course and things go from bad to worse.

Plot Summary | Plot Synopsis

Taglines:

Chaos reigns. See more »

Genres:

Drama | Horror | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

The story is divided into four chapters, "Grief", "Pain (Chaos Reigns)", "Despair (Gynocide)" and "The Three Beggars", in addition to a prologue and an epilogue, all displayed over abstract designs by Danish artist Per Kirkeby. See more »

Goofs

I'm going call it a continuity 'goof' even though it doesn't 'break the spell' of this movie (as if anything could!). When we first see the articulate, autophagic fox face to face it is wearing a collar with a bell hanging from it. See more »

Quotes

He: Acorns don't cry, you know that as well as I do. That's what fear is, thoughts distort reality. Not the other way around.
See more »

Connections

Featured in Brows Held High: Antichrist (2012) See more »

Soundtracks

'Lascia ch'io pianga' from 'Rinaldo'
Composed by George Frideric Handel (as Georg Friedrich Händel)
Performed by Tuva Semmingsen and Barokksolistene
See more »

User Reviews

Contagious Brokenness
22 January 2011 | by tedgSee all my reviews

Down the road from me is a coven of Christian filmmakers. It is a school and the purpose is to make films that evangelize. This fascinates me; generally their stories are about fighting the devil, a narrative that encompasses both what is in the film and what surrounds the making of the film. Some day, they might make engaging films and who knows what will happen.

This interests me because most movies are made by professional storytellers. Scorcese and Fincher (for example) not only makes a wide variety of stories, but they deliberately do so. The connection with their lives is — with few exceptions — with the art. Most singers are this way as well. Connected with this is films that have a love story that features a woman the male filmmaker is in love with. This often grabs me.

Now here we have a man deeply depressed, possessed. He makes a film painfully pulled from his soul, so difficult in the making that he is suicidal. It works. It is so deeply disturbing that I caution you to stay away from it. I was a bit vulnerable when encountering this world and it affected me.

Lars von Trier has built a life making films that exploit experiments in convention. I find them interesting, but there is always an academic distance that keeps them from connecting. They engage for how they are made, not what they are. At each juncture, I wonder how powerful a film might be if he used what he knows to communicate, rather than to practice. Now I know. He was so depressed he simply made. Looking at the usual areas where he is disciplined, you can see he is sloppy. Everything is imprecise. There is no theory at work here. Where it is technically competent, it is only temporarily so. That is what makes it so, so very powerful. His gush of expression floods past his constraints of Danish discipline.

The story is identical to "Don't Look Now." We as viewers think we see a child lost, and follow a couple in a grief that swallows them. But we see it from the husband's untrusted eye. He is confused, haunted, magically twisted through the sexual magic he and we see but which permeates and guides the narrative. This is a tornado of witchcraft, like the Roeg film, but from a filmmaker within it. Causal mechanics are not what we think we know from the beginning. The shoes are reversed. I do not know from outside sources what caused his depression, but it is pretty clear from this desperate message from within.

There are some pretty powerful images here. Some involve genitals, an ordinarily off-limits zone. Some involve a graceful death of an infant, made more terrifying by the beauty in which we receive it. Some involve damaged animals. Each of these is amplified by the rush of emotional confusion, the onanistic waterfall of acorns on the tin roof. Experience this at your peril.

The actors are incredible.

Ted's Evaluation -- 3 of 3: Worth watching.


12 of 19 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 523 user reviews »

Frequently Asked Questions

See more »
Edit

Details

Country:

Denmark | Germany | France | Sweden | Italy | Poland

Language:

English

Release Date:

20 May 2009 (Denmark) See more »

Also Known As:

Antichrist See more »

Filming Locations:

North Rhine-Westphalia, Germany See more »

Edit

Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$71,397, 25 October 2009

Gross USA:

$404,122

Cumulative Worldwide Gross:

$7,413,863
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color | Black and White (some scenes)

Aspect Ratio:

2.35 : 1
See full technical specs »

Contribute to This Page



Recently Viewed