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Battle for Haditha (2007)

R | | Drama, History, War | 7 May 2008 (USA)
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An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.

Director:

Nick Broomfield
2 wins. See more awards »

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Cast

Cast overview, first billed only:
Matthew Knoll Matthew Knoll ... Cpl. Matthews (as Matthew R. Knoll)
Elliot Ruiz Elliot Ruiz ... Cpl. Ramirez
Eric Mehalacopoulos Eric Mehalacopoulos ... Sgt. Ross
Nathan De La Cruz Nathan De La Cruz ... Cpl. Marcus
Andrew McLaren Andrew McLaren ... Capt. Sampson
Jase Willette Jase Willette ... Pfc. Cuthbert
Thomas Hennessy ... Doc (as Thomas Hennessy Jr.)
Tony Spencer Tony Spencer ... Pfc. Roberts
Vernon Gaines Vernon Gaines ... Lance Corporal Sosa
Antonio Tostado Antonio Tostado ... Lance Corporal Jimenez
Ali Adil Disher Ali Adil Disher ... Iraqi Translator (as Ali Adil Aj-kaa)
Yasmine Hanani ... Hiba
Siham Rashid Siham Rashid ... Asma
Majd Hijjawi Majd Hijjawi ... Woman shot in street
Falah Abraheem Flayeh Falah Abraheem Flayeh ... Ahmad (as Falah Flayeh)
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Storyline

In November 2005, US Marines fell into an ambush by Iraqi insurgents and one officer got killed. The reprisals by the Americans were frightening, resulting in the massacre of 24 people, many of whom women and children. "Battle for Haditha" is the faithful account of this tragic event which scandalized the world. Written by Guy Bellinger

Plot Summary | Add Synopsis

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Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for war violence, disturbing images, and for pervasive language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Surreal [France]

Country:

UK

Language:

English | Arabic

Release Date:

7 May 2008 (USA) See more »

Also Known As:

A Batalha por Haditha See more »

Filming Locations:

Jordan See more »

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Box Office

Opening Weekend USA:

$1,982, 11 May 2008

Gross USA:

$10,310

Cumulative Worldwide Gross:

$245,521
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film was shot in an unconventional way whereas instead of a detailed script, there was only an outline of each scene and where the story was going. Actors would then improvise much of the dialogue based on director Nick Broomfield's instructions. See more »

Goofs

The real IED used in the Haditha bombing which sparked the incident was made from 155mm artillery shells and explosive-filled propane tanks. But the IED shown in the film uses grenade cartridges and a propane tank. See more »

Connections

References Breaking News (2004) See more »

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User Reviews

 
Getting the Iraqis right this time: yes, it really does matter
25 May 2008 | by Chris KnippSee all my reviews

In this new film that few in America will see in theaters, the English documentary filmmaker Nick Broomfield has taken his skill set into a narrative feature of an actual event of the Iraq war and dramatized and embellished it with often harrowing realism. Broomfield has humanized an American atrocity, the so-called "Battle for Haditha" of November 19, 2005, in which several dozen Iraqi civilians in the eponymous town were slaughtered by a small squad of Marines in retaliation for a hidden road bomb that killed one of their men and gravely injured two others. Broomfield humanizes everybody. The "insurgents" who plant the bomb, paid to do it by Al Qaida in Iraq people whom they don't trust or like, are a man who was in the Iraqi army destroyed by Paul Bremer, and his grown son, who sells DVD's to American soldiers. The civilians who happen to live near the road where the bomb goes off are seen up close, a child fascinated by chickens, a big family, a circumcision party, a couple with a child on the way who are deeply in love. All these are made real and known to the audience by the film. But so are the Marines, especially the main one, Corporal Ramirez (Elliot Ruiz), who though barely twenty, is so battle-weary he is haunted by dreams and guilt and cannot sleep. It's Ramirez who, cracking under the strain and the sleeplessness and given the go-ahead by corps superiors off somewhere with electronic maps (distant kills are like a video game), leads the rampage of murders, then collapses and weeps when rising for another day.

All this is very interesting, and the killings are similar to those in De Palma's flashy but so very slipshod 'Redacted,' but so very, very different in this new context with the simpler shoot--just a digital camera that you can forget about after a while, whereas De Palma rubs your nose in the multiple media feeds, the other American soldiers less specific here but cruder and perhaps more authentic; some of them like Ruiz were in the war themselves, and served, and know the way to act without being told.

But what is extraordinary in Broomfield's film isn't any of this so much as one thing that typically, American reviewers have hardly seemed to notice. This is: that not only are the Iraqis seen up close, they are real Iraqis, speaking Iraqi Arabic, and many of them, like the young actor who plays Ramirez, also on the other side as victims and non-combatants, veterans of the war, now living where the film was made and where they fled to, in Jordan. When Ramirez shows a big scar on his leg and says he almost lost it, it's Ruiz's real battle scar. Ruiz's performance has a new kind of conviction.

Why would Americans' notice that about the Iraqi Arabic, the authentic Iraqi non-actors playing the roles of insurgents and local inhabitants, and why would they care? In fact even the Choir to whom this anti-war movie is preaching are as ignorant and indifferent to the specifics of Middle Eastern cultural reality as the naive and headstrong men who got us into the war and the poor and uneducated boys who have pursued it and died in it and come back maimed and mentally damaged from it. But in the future, this may come to matter, and even be understood by American Iraq war veterans. Language is important, and culture is important. One shouldn't have to say that. But if it were understood, the imperial indifference of "bringing democracy to the Middle East" would crumble, and it wouldn't seem so easy to think that killing a hundred thousand civilians would make us friends.

Using real Iraqis and a lead Marine who's an Iraq war vet were master strokes, but this doesn't excuse the film from being in many ways self-damagingly roughshod and, despite the multiple viewpoints, still skewed at times. The Iraqi civilians who become victims are given a fairy tale simplicity, their complicity or involvement in weapons and explosives, though alluded to, not specified for any of the victims. There needed to be something more specific about a Marine other than Ramirez.

The chief bad guys, which seems right, are those at one remove, the Marine supervisors away from the front, and the local imam whose encouraging the locals to ignore the danger and hold a celebration is a cynical gesture to worsen the casualties and make them seem more cruel to the media.

Broomfield has used blunt instruments to shape his story, and his ending is a little muddled (partly from necessity, since the accused Marines hadn't yet been tried). Nonetheless the authenticity, particularly of the Iraqis, but of the whole scene, wins The Battle of Haditha a special place in the less-than-stellar roster of Iraq war films thus far delivered.


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