In a big city downtown we meet Emma and Jay, two young 20 something lovers buying drugs and then watch as they waste the rest of the day away, oblivious to everything around them. As always...
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Elisa, a thirty-eight-year old woman, leaves for a week with her husband and young daughter on a vacation to a house in the country. Everything is going for her: she has a successful ... See full summary »
A woman who never got over the fact that her father abandoned her as a child tracks him down with only one desire - to ruin his life just as he ruined hers. A tragic incestuous game of deceit and seduction begins.
A woman experiences strange feelings and fleeting memories about her childhood after the birth of her first child. She seeks help from her estranged sister and realizes these memories ... See full synopsis »
Nastalia is too young to have experienced many things in life, but as an abused child she has already experienced the darkest side of it. Now a young teen she takes it upon herself to ... See full summary »
Harry Bromley Davenport
An aging writer, Juan (Jack Taylor) has a successful career and a nice family. One day, the family goes on a trip and he stays at home. Two beautiful girls knock on his door and claim their car broke down. He lets them in and gets seduced. Deadly mistake.
Alex Harris has it all: he's popular, he's class president, and the ladies can't get enough of him (in particular, fellow student council member Jenny Clark). There's just one problem... ... See full summary »
Wealthy record company executive Rick Engels picks up beautiful young hitchhikers Carol and Judy and takes them back to his swanky mansion for illicit carnal purposes. However, what ... See full summary »
Schoolgirl Josefine learns from an early age to use sex to gain advantages. The school's gym teacher is arrested and accused of indecent behavior but the court dismisses the case when ... See full summary »
Three girls from Hamburg become stars in an unusual way. Annabelle becomes the lead in a big budget erotic movie, bartender Marianne gets noticed by the right people and hustler Susanne is asked by a pimp to pose for an erotic spread.
Jolana (18) is an object of her stepfather's desire. She is unable to cope, especially when her own mother turns a blind eye. Those events are heavily paid for when she finds herself ... See full summary »
In a big city downtown we meet Emma and Jay, two young 20 something lovers buying drugs and then watch as they waste the rest of the day away, oblivious to everything around them. As always, the drugs and cash quickly run out and alternative sources of income need to be found. They arrange to put on a sex show for a sleaze bag who pays them a large amount of cash, but the exploitive nature of the act leaves them cold and resentful. Jay swears to Emma that they'll never do that again. Jay devises a plan to rob a convenience store and the two carry it out. It all seems so easy and they are turned on by both the easy cash and by the thrill of the heist. Emma and Jay figure they can make a living pulling armed robberies like Bonnie and Clyde and never be without drugs again. They stick to their usual routines and bars and pubs, so that people don't become suspicious of their new found cash. When they do treat themselves to a night out at a very expensive restaurant the night ends in ...
Alkinos Tsilimidos' previous film, the little-seen Tom White, is one of my favourite Australian films. When I heard he was doing a story about a couple who are drug addicts, I thought "oh no, not another Candy". I feel this genre has been done to death in recent times, first with Rowan Woods' Little Fish (which I liked) and then Candy (which was somewhat disappointing).
How surprised I was then, to find that this Em 4 Jay is a real gem. In fact I'd go so far as to say it's a real masterpiece as good as or better than Tom White (which I gave five out of five stars to). And the best film I have ever seen that tackles this dark subject.
Tsilimidos is a real auteur he skilfully brings to screen a confronting story about people at the low-end of the food chain. These are unsympathetic and unlikeable people. Yet, somehow, the director manages to infuse within them a sense of humanity. Even if we don't care for them, we want them to straighten themselves out. Neither they nor their lifestyle is ever glorified, and the director makes no judgements. We are left to make our own ultimately this could be seen as an anti-drug film.
The film is well edited with no flat spots and it's emotionally edge of your seat the whole time as these two people's lives spiral further out of control. The film is not easy for some to look at. I imagine some audience members will walk out, as I have seen with films like The Finished People, Factotum and L'infant (The Child). I found it to be a very physical experience, and was emotionally affected for hours afterwards, as I was with The Child. I love films that have that effect.
The cinematography by Toby Oliver, who has worked on all of Tsilimidos' films, is superb, similar to Tom White. It has a real honesty and authenticity rarely seen in Australian cinema (the last time for me would be Tom White). The scenery around Melbourne is so recognisable without being postcard beautiful.
The characters are just terrific with great performances all round. Nick Barkla and Laura Gordon are stunningly believable, and a special mention to a small part for Kat Stewart as Em's sister (and they looked like sisters). Their meeting was the emotional highlight of the film the subtlety used in this sequence was just heart-rending.
I did not recognise any of the main actors, so they brought no emotional baggage or expectations (a downside for both Little Fish and Candy). They really inhabited the characters. The dialogue was excellent. The film completely avoids clichés, again a downside of both aforementioned films.
Though the story is dark, much humour is still to be found in the most subtle, natural and intelligent way. The music of the Black Keys is excellent without ever being intrusive or contrived. I found this film to be as good as anything that is produced anywhere in the world, very much in the style of European social realism. It was right up there alongside my favourite Australian film, The Boys. Flawless.
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