Thomas is turning 16. His Dad is in the army and they've just moved to a town in New South Wales; his mum is pregnant; his older brother, Charlie, who's autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother's keeper, or is Charlie's disability going to prove more than Thomas can handle?Written by
The only reference to the "Black Balloon" of the title--visual or verbal--appears to be a sole black balloon that rises from behind the backyard fence of the new home of the Mollisons, the family at the center of the film. Seen in the last shot of the opening credits when all four members of the family are in the backyard, the black balloon follows a cluster of red balloons seeming to come from a neighbor's yard and rising out of sight at the top of the frame. The younger brother, Thomas, whose back is to the camera, is the only character in a position to possibly see the balloons. It is unclear, though, whether a slight upward movement of his head is meant to suggest that he notices them. See more »
In the same typeface, style and layout as all the credits that come before it (like, for instance "Costume Designer" on one line with "Claire Granville" just below it), the last credit in the opening sequence has "Title" on one line with "The Black Balloon" just below it. See more »
Don't Go Now
Written by S Day and R. St Clare
Performed by Ratcat See more »
Thomas (Rhys Wakefield) has just started at a new high school. His father serves in the armed forces and the family has to relocate regularly. His brother Charlie (Luke Ford) has severe Autism and Attention Deficit Disorder. He's not able to speak and because he's the size of an adult, caring for him is not easy. At the start of the film we see him grunt with delight as he tramples a newly-bought carton of eggs into the kitchen floor.
While Thomas's mother (Toni Collette) has accepted her son's condition, Thomas has not. He wants to keep his brother a secret from his new schoolmates but when one student (Gemma Ward) learns of his sibling, she's not put off.
It's been a number of years since I've connected with an Australian film to the extent that I did with THE BLACK BALLOON. From the interesting title sequence at the start, we're drawn into the challenges of life with a family member suffering a developmental disability. While, I suppose, an outsider could never fully appreciate just how demanding such a life could be, the film gives us a very good idea.
One of the film's many accomplishments is its successful blend of drama and comedy. It could quite easily have been a depressing affair but many of the brother's outrageous acts prove most amusing. On other occasions, they're heartbreaking.
Equally fine is the performance by Luke Ford. Playing a handicapped character is a challenge for any actor, but Ford is totally convincing as Charlie. Never do we consider he's an actor playing a role.
Toni Collette is first-rate as the ever-loving mother. She's heavily pregnant and when complications arise from her pregnancy, we can't help but wonder if the third child will be like Thomas or Charlie.
The most likable of the characters is Thomas's classmate and later girlfriend, Jackie, played by Gemma Ward. Her acceptance of Charlie and her solid support for Thomas makes her most appealing. It's interesting to note that while Thomas sees Charlie as a burden, his formal introduction to Jackie and the development of their relationship has much to do with his brother.
THE BLACK BALLOON is the work of first-time director Elissa Down, who studied film-making in Perth. She has done a sterling job. Having grown up with two Autistic brothers, it must be a profoundly personal work. The screenplay, by Down and Jimmy the Exploder, is honest and moving and the photography by Denson Baker is fine. I particularly appreciated his low- angle wide shots.
THE BLACK BALLOON won the Crystal Bear at this year's Berlin Film Festival. It's an important film and deserves to be seen. The Australian Film Industry, sadly, does not have a good reputation, at home or overseas. But if we make films like this one, that's sure to change.
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