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Mr. Peabody is a business titan, inventor, scientist, gourmand, two-time Olympic medalist and genius...who also happens to be a dog. Using his most ingenious invention, the WABAC machine, Mr. Peabody and his adopted boy Sherman hurtle back in time to experience world-changing events first-hand and interact with some of the greatest characters of all time. But when Sherman breaks the rules of time travel, our two heroes find themselves in a race to repair history and save the future, while Mr. Peabody may face his biggest challenge yet - being a parent.Written by
The taser weapon is shown electrically arcing to shock its targets. Taser weapons can only shock through direct contact with the weapon or with electrodes fired from the weapon. Arcing is not seen. See more »
Our story begins high over New York City, in the luxurious penthouse apartment of perhaps the most unlikely genius the world has ever known.
[Camera pans to Peabody in an upside-down position]
Oh. Sorry. You caught me doing my yoga. You were expecting downward dog, perhaps?
[Jumps into upright position]
My name is Mr. Peabody.
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Mr. Peabody and Sherman are shown in the credits in their original drawn design, and shown at the very end walking towards the vanishing point of the screen. See more »
The closing credits in the UK version feature a song entitled 'Kid', written and performed by Peter Andre. See more »
It's quite noticeable that Dreamworks Animation is trying to break visual grounds in their most recent movies, but Mr. Peabody and Sherman gives a little reminder on their original magic. The first half shows how charming the worlds they can bring even without shoving too much spectacles, the characters bursting out absurd personality that may sometimes be senseless yet terribly affable. But of course, it's an adventure traveling through historical events, but it kind of falls short on the concept and rather places those things into a bumpy ride with a dramatic center. Those things could have worked if it was more sincere, but the real enjoyment lies on the basics where you let the mockeries and the humor speak.
There is a nice additional depth behind the quirky and interesting relationship of the two, it makes their reintroduction on screen feel a lot fresh. The growth of their connection kicks in the plot, and that is when it starts becoming a bit forced. It doesn't seem comfortable with heightening the material. Turning things big and emotional is more like a must for the film to have because apparently that is what most animation today usually strive for. None of it actually plummets things down, but the story is probably better off smaller. People should remember the studio is more than trippy visuals and celebrity voices, in the end it's the simple witty humor that provides the genuine color in their movies.
The plot here should have focused more on the intersection between education and parody within the historical settings than building epic proportions in its little plot. The typical elements are still fun. Ty Burrell is dashing as Mr. Peabody even with the seriousness that embodies the character do too sparks a sense of heart. The entire cast delivers the comedy admirably and it really leaves the viewers hungry for more. The zany effects kind of interrupts most of that, but the animation is still great overall. The designs are wonderfully loyal to its cartoony essence which is one of the striking things to pay close attention to.
Mr. Peabody and Sherman is completely fun when it doesn't try following the modern roots of the genre. It's a lot brilliant when it's just traveling time, meeting a caricatured version of a particular historical figure, stopping candles, and let the personalities of the characters develop on their own without being too didactic. The relationship of Peabody and Sherman is already compelling at the start, but they could have think of better choices to justify its center. There are still plenty of strong stuff worth seeing around, it just needs to be cleverer.
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