At an archaeological dig in the ancient city of Hamunaptra, an American serving in the French Foreign Legion accidentally awakens a mummy who begins to wreck havoc as he searches for the reincarnation of his long-lost love.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
Centuries ago, the evil Emperor Han was cursed by the sorceress Zi Yuan who transformed him and his army into mummies. In 1946, the explorer Rick O'Connell and his wife Evelyn O'Connell are invited by the British government to take a relic, the diamond "The Eye of Shangri-La" to China. The ancient stone is capable of resurrecting the Emperor Han and of pointing the way to Shangri-La and the eternal pool of life. When the couple reaches China, they meet their son Alex O'Connell, who has discovered the tomb of Han, and Evelyn's brother Jonathan Carnahan. The O'Connells are betrayed by their friend Prof. Roger Wilson, who is associated with General Yang. Yang wants to serve Emperor Han, so he resurrects the mummy and they head for Shangri-La. The guardian of Han's tomb (and Zi's daughter) Lin tells them that the only ways to destroy Han are to prevent him from reaching Shangri-La or by stabbing his heart with a cursed dagger.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The crossbow traps in the tomb scene were based in reality. According to Chinese archaeologists, the excavation of the Terracotta Army is progressing so slowly, partly because the site is filled with similar traps. See more »
When we first see Rick O'Connell (Brendan Fraser) he is apparently fly-fishing in a river in Oxfordshire. However, the visible geology of the river is not found in Oxfordshire (exposed tilted rock beds, pebbled river beds). This is more likely either elsewhere in the UK, or more likely, a location in the US. See more »
Long ago, a mythic battle between good and evil played out in ancient China. The country was torn by civil war, with many kingdoms struggling for land and power. But one king had a ruthless ambition to make himself emperor by the sword.
See more »
The Universal Studios logo doesn't stop as normal, instead the title fades out from the revolving globe and the camera begins zooming in over the Atlantic Ocean and hovers over China as an on-screen graphic is shown displaying the separate feudal states of China around 350 BC, each labeled in Chinese characters. The dividing lines disappear and then the Chinese characters all merge together into two characters that then change to the English word: CHINA. See more »
I want to say up front that I loved the first two Mummy movies, so I am not a hater of this franchise. They were campy, very tongue-in-cheek, and there was this wonderful rapport between the actors which came out in their performances. I went into this one with some trepidation because much of the main cast of the first two films would not be in it (Rachel Weisz, Arnold Vosloo, Patricia Velasquez and Oded Fehr), but I figured, well, the first two were great (or at least a lot of fun), so how bad could this one be?
Oh. My. God.!!! I am not exaggerating when I say that the best part of the movie was the Chinese-writing animation of the closing credits. Five minutes into the film I was cringingly embarrassed for the actors, and it only got worse. The only actor whose performance didn't suck a dead dog's butt was Jet Li, but only just -- he basically spent the whole movie yelling, killing people, and looking extremely cheesed off. There was no connection between his character and the audience. I mean, Imhotep (in the first two films) did evil things, but he had this romantic tragedy thing going on because he was in love with Anck Su Namun, and you could see some reason for his actions and you could even maybe sympathize with him a little bit (particularly at the end of "The Mummy Returns" when he realized that Anck Su Namun didn't really love him -- at least, not like Evie loved Rick -- and it had all been for nothing). He had a human quality, I guess. The Dragon Emperor, not so much. As far as anyone could tell, he was just a megalomaniacal twit with a world-domination complex -- there were no redeeming features in his character -- it was just a cardboard cutout of "evil." The only thing I have to say about the mother/daughter immortal protectors team is that even put together, they're no Ardeth Bay. Maria Bello was horribly miscast as Evie O'Connell. Her performance seemed clingy and desperate (not just Evie being clingy and desperate, but herself, Maria, the "actress"). Luke Ford was a huge waste of space -- I never thought I'd see an "actor" who was worse at acting than Keanu Reeves, but Keanu Reeves is a great Shakespearean compared to Luke Ford. I echo another reviewer's comment in saying why didn't they just keep Freddie Boath? He's about the right age and he was actually funny in The Mummy Returns. Of course, it's probably better for his career that he *didn't* appear in this piece of trash (ditto Rachel Weisz, et al.) -- kudos to their agents for keeping them out of it. Brendan Fraser, whose performances I really enjoyed in the first two movies (although a great actor he is not), seemed like he was tired of the whole thing -- monumentally bored and just milking the franchise for another paycheck (I know that's a horrible thing to say, but I can't imagine why else the egregious performance -- I mean, you can only blame so much of it on the rotten script). John Hannah (another actor whom I usually really like) ditto. To paraphrase Mark Twain (from "Fenimore Cooper's Literary Offenses"): the film-maker should make the viewer feel a deep interest in the people in the film and in their fate; he should make the viewer love the good people and hate the bad ones. But the viewer of "The Mummy: Tomb of the Dragon Emperor" dislikes the good people in it, is indifferent to the others, and wishes they would all get drowned together.
There was nothing even remotely funny about this movie -- the "jokes" (if you want to call them that) were either tired, stupid, or completely flat. The special effects couldn't make up for the mondo suckiness of this piece of... uh... "film." Even if they had been of the thrilling sort that one expects. Which these were not. The Yetis could have been cool, but they just, um, weren't. And the whole "field goal" thing was so NOT!
I had to give this film a rating of 1 (awful) because that's as low as IMDb's scale goes, but I'd really like to give it something more like a 27. And I'd also really like a refund on the two hours of my life I wasted watching this dog. Boo! Hiss!! Yuck!!!
40 of 61 people found this review helpful.
Was this review helpful to you?
| Report this