A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother's floundering dental practice receives new life when clients seek out his healing touch.
A 90-year-old woman, rapidly losing her memory and knowing that sooner or later her life will be over, returns to the Manitoba farmhouse she grew up in to try and make peace with her dysfunctional family.
A hate crime on the campus of a New England college puts the school's dean in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration's politically correct policies.
Sarah Jessica Parker,
Lawrence Wetherhold is miserable and misanthropic: he's a widower, a pompous professor at Carnegie Mellon, an indifferent father to a college student and a high-school senior, and the reluctant brother of a ne'er-do-well who's come to town. A seizure and a fall send Lawrence to the emergency room where the physician, a former student of his, ends up going on a date with him. His daughter, Vanessa, lonely and friendless, who's been bonding with his brother, tries to sabotage dad and the doctor's relationship, but Lawrence is good at that without help. Is there any way these smart people can get a life? Can happiness be pursued beneath layers of irony?Written by
In the bar scene in the middle of the film, there is a song overdubbed. When you turn the subtitles on, the lyrics are displayed and prefaced by "Man:". However, a woman is singing. See more »
[stilted date conversation]
We respond to literary texts using precisely the same fundamental interpretive categories that authors and poets use to create them. So there's no need to posit any kind of unstable ontology, or ruptured consciousness. You following me?
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I saw this movie today, the day after it opened here. And I was simply delighted. This is a fine story told with non-stop heart-tugging humor and verve. The movie captured my attention immediately, and held it from beginning to end.
The scriptwriter, Mark Jude Poirier, adapted his novel for the screen with extraordinary acumen. The ensemble of characters are just delightfully appealing. Their story is told here with humor and poignancy. Dennis Quaid as Laurence Wetherhold, Sarah Jessica Parker as Janet Hartigan, Thomas Haden Church as Chuck, Ellen Page as Vanessa, Ashton Holmes as James all turn in wonderful performances in a perfectly matched cast.
To me the pace is perfect, and the dialog is crisp, compelling, almost flawless, with lots of funny lines.
For me, one of the most uplifting features of this movie is the way the whole ensemble of characters develops together. The strangeness of the characters as individuals, along with the convincing balance as (extended) family, reminds me of the ensemble in Running with Scissors. The quirky dysfunctionality and functionality of this family in combination are like nothing so much as the family in Running with Scissors. In any event, these are characters who together gain a renewed sense of hope a hope that imbues this wounded band of characters with a sense of togetherness and vision that is to me very, very moving.
Another feature of this movie that I myself found especially appealing is the presence of such exquisitely composed visual scenes. These are of such delightfully crafted texture that in some ways this movie reminds me of the carefully composed scenes in Girl with a Pearl Earring and Atonement. The cinematography and beauty of scene after scene are just wonderful.
All in all, this is a fun, funny, moving portrait of a delightful band of characters. I highly recommend this movie to anyone.
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