The dialog is overly political, shrill, and is really preaching to the choir. While you may agree with much of it (ironically, I do), it's nothing we haven't heard before from Air America Radio, Margaret Cho, Patton Oswalt, or Janeane Garofalo (who does the voice of the bearded clam here). The dialog is rendered in a lackadaisical fashion, almost as if the cast was asleep, or maybe it's another stab at so-called "irony", or being deliberately bad. The show seems like another parody of Superfriends, a Gen X obsession that really needs to go away. The show has been canceled (mercifully so) by Comedy Central. Let's keep it that way...
The dialog is overly political, shrill, and is really preaching to the choir. While you may agree with much of it (ironically, I do), it's nothing we haven't heard before from Air America Radio, Margaret Cho, Patton Oswalt, or Janeane Garofalo (who does the voice of the bearded clam here). The dialog is rendered in a lackadaisical fashion, almost as if the cast was asleep, or maybe it's another stab at so-called "irony", or being deliberately bad. The show seems like another parody of Superfriends, a Gen X obsession that really needs to go away. The show has been canceled (mercifully so) by Comedy Central. Let's keep it that way...
The animation is crappy but that doesn't get in the way of funny. Trying to hang all the comedy on just being odd and different is what gets in the way of funny.
There's also a whiff of a mean little vibe like "you're not cool enough to realize how funny this show is". There have been plenty of comedy routines that are more about making people squirm in confusion than laugh out loud, and this might be another one.
Maybe it's just too early in the run, but if it doesn't get less "inside" soon, it's history.
The timing and delivery of the show's jokes are horrible and several comedic devices (the wait gag, call back, etc.) are used poorly, which puzzles me because the staff is obviously capable of pulling off such devices. I guess not in this case, though.
The worst aspect of the show is the set-up/break pattern that is employed. In the show, a joke would be set up, which could be picked up by the audience, and then the dialogue would shift to something that halted the joke's momentum. By the time the "punchline" was delivered, the joke's energy was gone. This happens over and over again.
To tell you the truth, most of the dialogue and plot seems sub-standard and would have certainly been trashed by other comedy shows. The writers seemed to rely on random "jokes" juxtaposed against a jagged plot instead of actually establishing a main storyline, which isn't effective at all. The reason it works for shows like, say, Aqua Teen Hunger Force (which seems to pride itself on seemingly "random" jokes) is because they set the jokes up properly WHILE following an established plot line. In most cases, a joke just isn't funny without a proper set-up, timing, and follow through.
The visual gags aren't employed very well either. They just weren't funny. The gags are either too lax or too forced -- both extremes killed any jokes that may have arisen from such set-ups.
Most of the show's jokes also seem to rely on tired stereotypes that are either overused or stopped being funny years ago. Because the writing doesn't seem too fresh, it makes me question whether or not the writing staff is trying very hard at all with this show.
I gave the first three episodes a fair chance and drew my opinion objectively, but I came to the same conclusion each time: it's a sad excuse for an animated comedy show. I hope that it's pulled quickly and doesn't just drag on and that Cross and Co. move on to bigger and better things.
The thing is, David Cross is a pretty brilliant comedy writer, comedian (stand-up), and actor. He's got to be bad at something, and that might just be animation. But his "bad" writing is still dozens of times better than some of the other crap out there...
Family Guy, which has its moments of genius (not often, but often enough to take notice) relies solely on A.D.D humor, and the incredibly short attention spans of the viewer to execute their story lines.
Freakshow relies on a more traditional story structure that has none of the hard cuts to situations completely unrelated to the show. This show also presents its comedy in the form of subtleties and ironies (observational humor).
Ultimately, Freakshow is more toward the spectrum of South Park in the way it presents material. So if you like South Park, there's a good chance you'll like Freakshow.
Not that the show is GREAT. Lots of jokes bomb, at times the show seems to lean too much on toilet humor and some are just too bizarre, but I laughed out loud quite a bit. Note that the humor in this show is "Take it as you see it"; that is, there's almost no social commentary. That's a big reason I liked this show.
Social commentary can certainly be funny, but after seeing South Park walk down this road long enough to make that show unfunny, it's nice to see a show that's dumbed down and still funny. This being said, much of the shows 'funny' humor comes from dialogue between characters in awkward positions and extreme parodies. The way Larry the Cable Guy is depicted had me rolling.
Overall, the show wasn't THAT good. It's usually lowbrow humor mixed with weird. But give it a chance and it may win you over. Just ignore the overly stupid parts.
i am never a particularly committed fan of cable channel cartoons, but i will be sticking with this one for a bit. i mean, tobias and gob back together again? how could i resist?
Just as hilarious and transgressive as Mr. Show with Bob and Dave, but less scattershot than a sketch program. I'm glad the show can take its time over several episodes developing characters and mocking formulaic conventions like the 24-minute sitcom story arc, the weekly "lesson learned," and the retarded local evening news/info-tainment broadcast team.
"Freak Show" is funny, smart, quick, and steadily climbing up the Season Pass priority ladder.
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