
Like Mother, Like Daughter (2007)
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- TV-14
- 1h 32min
- Drama, Mystery
- 18 Feb 2007 (USA)
- TV Movie
Photos and Videos
Cast verified as complete
Michelle Stafford | ... |
Dawna Wilkins
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William R. Moses | ... |
John Collins
(as William Moses)
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Dani Kind | ... |
Emily Wilkins
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Gianpaolo Venuta | ... |
Keith Merrick
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John Maclaren | ... |
David Geraine
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Suzanna Lenir | ... |
Paula
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Millie Tresierra | ... |
Mary
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Tommie-Amber Pirie | ... |
Sarah
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James O'Regan | ... |
Detective Wahl
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Mariah Inger | ... |
Detective Chapala
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Jack Eyanie | ... |
Craig
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Rick Bramucci | ... |
Police Officer
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Mercedes Papalia | ... |
Francesca
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Rest of cast listed alphabetically: | |||
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Dan Day | ... |
Gala Guest (uncredited)
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Kate Derrick | ... |
Prostitute (uncredited)
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Kate Drummond | ... |
Girl on Campus (uncredited)
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Paul Finnigan | ... |
Businessman (uncredited)
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Claude Huard | ... |
Passerby (uncredited)
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Claudia Jurt | ... |
Jessica Mailer (uncredited)
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Kathy Logan | ... |
Museum Office Worker (uncredited)
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Mark Slacke | ... |
Drug Dealer (uncredited)
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Sherry Thurig | ... |
Dinner Patron / Student (uncredited)
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Jon Welch | ... |
Bar Patron (uncredited)
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Directed by
Robert Malenfant | ... | (as Rob Malenfant) |
Written by
Nikea Gamby-Turner | ... | (original idea) |
Christine Conradt | ... | (screenplay) |
David DeCrane | ... | (story consultant) |
Produced by
Josée Bernard | ... | associate producer |
Tom Berry | ... | executive producer |
Neil Bregman | ... | producer |
Pierre David | ... | executive producer |
Maral Hassib | ... | line producer (as Manal Hassib) |
Stefan Wodoslawsky | ... | producer |
Music by
Richard Bowers |
Cinematography by
Daniel Vincelette | ... | director of photography |
Editing by
Isabelle Malenfant |
Editorial Department
Vince Amari | ... | color correction |
Virginie Blondel-Pelletier | ... | post-production coordinator |
Melany Bourgouin | ... | post-production coordinator |
Karine Gauthier | ... | assistant editor |
Sébastien Girard | ... | editor: hd |
Mathieu Lalonde | ... | editor: hd |
Stéphanie Sourice | ... | assistant editor |
Brian Guillaudeu | ... | promo editor (uncredited) |
Casting By
Ginette D'Amico | ||
Aaron Griffith | ||
Lisa Parasyn |
Production Design by
Susan C. MacQuarrie |
Set Decoration by
Geoff Sangster | ... | (as Geoffrey P. Sangster) |
Costume Design by
Julie O'Brien |
Makeup Department
Reagan Forsythe Strowbridge | ... | daily makeup artist (as Reagan Forsythe) / hair stylist: second unit (as Reagan Forsythe) / makeup artist: second unit (as Reagan Forsythe) |
Marie Jose Lopez | ... | key makeup artist (as Marie-José Lopez) |
Marcelo Padovani | ... | key hair stylist |
Production Management
Daniel Claveau | ... | project manager: Technicolor |
Maral Hassib | ... | production manager (as Manal Hassib) |
Christopher Renaud | ... | assistant unit manager |
Guy Trinque | ... | unit manager |
Second Unit Director or Assistant Director
Bruce Jensen | ... | second assistant director |
Andrew Lefresne | ... | first assistant director |
Michel Poirier | ... | third assistant director |
Art Department
Shane Boucher | ... | assistant art director |
Shawn Buffington | ... | set dresser |
Katherine A. Jeans | ... | original artwork |
James Robertson | ... | assistant property master / property master: second unit |
Tim Walton | ... | property master |
Sound Department
Don Cohen | ... | location sound recordist |
Marc-André Cyr | ... | foley assistant |
Valéry Dufort-Boucher | ... | dialogue editor |
Denys Dufresne | ... | sound effects editor |
Nicolas Gagnon | ... | foley artist |
Shaun-Nicholas Gallagher | ... | foley engineer |
Thierry Hoffmann | ... | boom operator |
Réjean Juteau | ... | re-recording mixer |
Claude Lajeunesse | ... | adr editor |
Pierre Laroche | ... | re-recording mixer |
Philippe Mercier | ... | additional sound: second unit |
Jacinthe Paiement | ... | sound coordinator |
Jacques Plante | ... | adr director |
Marie Quesnel | ... | sound coordinator |
Christian Rivest | ... | sound designer / sound supervisor |
Alice Wright | ... | sound supervisor |
Lorita de la Cerna | ... | adr mixer (uncredited) |
Camera and Electrical Department
Jon Cameron | ... | electrician |
René Cotton | ... | electrician (as Rene Cotton) |
Robert Courtemanche | ... | dolly grip |
Andrew Dent | ... | best boy electrician |
Ron Diamond | ... | still photographer |
Curtis Dickie | ... | grip |
Walter Klymkiw | ... | gaffer |
Martine Leclerc | ... | first assistant camera |
John Conor McMahon | ... | dolly grip (as Conor McMahon) |
Ivan Peloquin | ... | camera assistant: second unit (as Yvan Peloquin) |
Mariya Prokopenko | ... | camera trainee |
Daniel Prévost | ... | key grip (as Daniel Prevost) |
Jocelyn Simard | ... | camera assistant: second unit |
Bill St. John | ... | camera operator: second unit (as William St. John) / director of photography: second unit (as William St. John) |
Michelle Veza | ... | camera assistant: second unit / second assistant camera |
Albert Camicioli | ... | additional photographer (uncredited) |
Robin Smith | ... | (segment "s") grip (uncredited) |
Casting Department
Nancy Kenny | ... | extras casting |
Debbie Kwan | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
Cheryl Batten | ... | assistant costume designer / head wardrobe |
Sarah Stewart | ... | daily wardrobe / wardrobe: second unit |
Location Management
Paul Pellerin | ... | assistant location manager |
Michel Poirier | ... | location scout |
Ainslie S. Wiggs | ... | location manager |
Script and Continuity Department
Julia Stan | ... | script supervisor |
Transportation Department
Ryan Norman | ... | driver |
Pat Plourde | ... | dailies transport |
Christopher Renaud | ... | driver |
Michel Saule | ... | driver: honeywagon |
Corey Mackay Smith | ... | unit truck driver |
Andy Tait | ... | driver |
Additional Crew
Peter Alves | ... | technicolor in-house producer |
Isabelle Arsenault | ... | technicolor project manager |
Salma Ayache | ... | dialogue transcription |
Daniel Claveau | ... | technicolor project manager |
Sam Coppola | ... | legal services: Borden Ladner Gervais |
Isabelle Cote | ... | post-production accountant (as Isabelle Côté) |
Michel Côté | ... | security |
Piérôt Côté | ... | craft service (as Pierot Côté) |
Brant Daniluk | ... | set production assistant |
David Free | ... | accounting services: Singer, Lewak, Greenbaum & Goldstein |
Nikea Gamby-Turner | ... | assistant: Tom Berry |
Robert Hecht | ... | accounting services: Hecht Heft Lamoureux |
Joseph G. Jones | ... | assistant production coordinator (as Joe Jones) |
Genevieve L'Ecuyer | ... | financing services (as Geneviève L'Écuyer) |
Ed Labowitz | ... | legal services: Alexander, Nau, Lawrence, Frumes & Labowitz |
Kathleen Linhares | ... | assistant: Stefan Wodoslawsky |
Mike Lofchie | ... | creative consultant |
Janet Martel | ... | production coordinator |
Andrew E. Pecs | ... | production accountant (as E. Andrew Pécs) |
Christopher Renaud | ... | office runner |
Joe Sisto | ... | legal services: Borden Ladner Gervais (as Joseph Sisto) |
Svien Sjoen | ... | security |
Bernie Sorkin | ... | assistant accountant |
Tippi Thomas | ... | assistant: Pierre David |
Virginie Valastro | ... | production coordinator: Montreal |
Line Vigeant | ... | post-production accountant |
Dennis Whitcomb | ... | script clearance: Hollywood Script Research |
Gordon Yang | ... | production consultant |
Noël A. Zanitsch | ... | financial consultant |
Production Companies
- Movie Central (produced in association with)
- Pierre David-Tom Berry Productions
- The Movie Network (TMN) (produced with the participation of)
Distributors
- Imagination Worldwide (2006) (Non-US) (except for Canada)
- Argentina Video Home (2008) (Argentina) (DVD)
- Blue Sky Media (2006) (Czechia)
Special Effects
Other Companies
- Alexander, Nau, Lawrence, Frumes & Labowitz (legal services)
- Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) (acknowledgement)
- B.F. Lorenzetti & Associates (insurance)
- BKS Dublagem do Brasil (dubbing ( brazilian portuguese ))
- Betacam HD Sony Tapes (filmed in)
- Borden Ladner Gervais (legal services)
- Bytown Catering (catering)
- Canadian Film or Video Production Tax Credit (CPTC) (with the participation of)
- Canadian Museum of Civilization (the producers wish to thank)
- Directors Guild of Canada (DGC) (acknowledgement)
- Directors Guild of Canada: Ontario (acknowledgement)
- Dolby Digital (acknowledgement)
- EP Canada (payroll services)
- Hecht Heft Lamoureux (accounting services)
- Hollywood Script Research (script clearance)
- IATSE Local 667 (acknowledgement)
- Ontario Film and Television Tax Credit (OFTTC) (with the participation of)
- Pacific Soundwaves (adr recording facility)
- Plus 8 Digital (camera equipment)
- Quebec Film and Television Tax Credit (with the participation of)
- SAG-AFTRA (acknowledgement)
- Screen Actors Guild (acknowledgement)
- Singer, Lewak, Greenbaum & Goldstein (accounting services)
- Sound Venture Productions (adr recording facility)
- Sound Venture Productions (production services: Ottawa)
- Technicolor Creative Services Montreal (adr recording facility)
- Technicolor Creative Services Montreal (post-production services)
- Technicolor (adr recording facility)
- The City of Ottawa (the producers wish to thank)
- Walter Lighting & Grip (grip and lighting equipment)
Storyline
Plot Summary |
Dawna Wilkins is a strong, independent and self-made woman. Married and divorced at an early age, she raised her daughter Emily by herself and put herself through school, now to become the well respected head of the Hanson, an ancient art museum. Through her college professor friend David Geraine, Dawna meets John Collins, an Anthropology professor specializing in Incan artifacts, he who helps Dawna authenticate some pieces for an upcoming Incan exhibit. As a favor to Dawna, John accepts Emily into his class to help her complete her degree requirements. Although Dawna is attracted to John, with others who know them both seeing them as a good match, John confides to David that he sees her nothing more than a friend. Approximately one month later, Emily goes missing, after having just broken up with her slacker boyfriend, Keith Merrick. Emily's murdered body is soon discovered buried in a remote shallow grave. John is there to support Dawna, both during the time that Emily was only missing and during Dawna's mourning over Emily's death. The police and John, among others, believe Keith to be the murderer. But Dawna will have to pay attention to signs around her or else possibly befall the same fate as her daughter. Written by Huggo |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | As John is returning from his journey into the woods to bury Emily, he removes his gloves as he's getting out of Emily's car and then touches the door handle... leaving his finger prints ON the door handle. See more » |
Goofs | As John is returning from his journey into the woods to bury Emily, he removes his gloves as he's getting out of Emily's car and then touches the door handle, leaving his fingerprints. See more » |