While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
Finding family. Shelley Darlingson was raised in an orphanage, finally happy when she blossoms into a fox and moves into the Playboy Mansion. Unfortunately, she's summarily expelled on her 27th birthday(she's now too old). In desperation she takes a job as house mother for a sorority of misfits losing their house for lack of members. They have but a few months to find 30 pledges, or a sorority of mean girls will take over their place. Shelley figures that girls will pledge a house that boys find interesting, so she sets out to make the Zetas alluring, not act too smart, and host great parties. Can she succeed, and what about her own makeover? Sabotage is everywhere, plus it's hard to be one's self.Written by
Some scenes were shot at the Playboy Mansion. See more »
In the opening shot of the movie, Shelley is walking beside the swimming pool of the Playboy Mansion. She walks past two Playmates having a conversation while standing at the edge of the pool, Hiromi Oshima, wearing yellow shorts, and Sara Jean Underwood. Shelley then hugs Playmate Lauren Michelle Hill who is standing next to lounge chairs. When Shelley turns around to yell over to Hugh Hefner and the Girls Next Door, who are sitting at the bar. Hiromi, now wearing white bikini bottoms, and Lauren are standing blowing bubbles behind Hefner and the Girls Next Door. Then Shelley turns around to walk down some stairs next to the pool. Hiromi, with the yellow shorts back on, and Sara Jean are following Shelley several feet behind her while Lauren is standing in the background next to the lounge chairs. See more »
You like what you see, stud?
Guy at bar:
Not really sure what I'm looking at, metal-face. Let me guess, is it a Hannibal Lecter thing?
Yeah, it is.
[bites his arm]
See more »
Brains do not need to be engaged for this movie. But it does produce a few wonderful - and hilarious - surprises that make it a very enjoyable 90 minutes.
One is Anna Farris, who does a great twist on the archetypal dizzy blonde beloved of Hollywood since time immemorial.
But the real kickers are the jarring one-liners that pepper an otherwise sweet and predictable film. Several reduced this viewer to paroxysms of laughter, tears rolling down cheeks, beverage spurting across the room.
These moments, when they arrive, are so unexpected that the effect is one of firmly-flicked kipper on unprotected jowl. And none are in the "gross-out" style that one might have expected in a film of this genre.
Very bunny indeed.
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