Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he...
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Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.Written by
Swie Tio <firstname.lastname@example.org>
It is a story about a famous elderly patriarch tyrant going a journey with his ten sons from Iran to Kurdish Iraq to give one final concert.
On the way he repeatedly encounters police and military who vandalise and terrorise just for the sheer pleasure of bullying.
The route is a bleak mountainous landscape. I could not imagine even a goat eking a living much less people. Everyone is dirty and unkempt and not completely sane. The singers smoke and hack up phlegm.
They wish to have a female singer to accompany them, but even travelling while female is illegal. It is infuriating not being able to smash the ignorant thugs who enforce this stupid law.
It goes from bad to worse to worse to even worse. The concert never happens. This is a gruelling film. The characters evoke pity rather than sympathy. One of the sons has a pet cockerel that looks a bit like a miniature dinosaur. Not even he is spared the gratuitous cruelty.
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