After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
After kidnapping and torturing two innocent teen girls, a group of people seek refuge in the home of the parents of one of the victimized girls. When the parents find out what happened to their daughter, they plot and carry out revenge on those that hurt her.Written by
Tony Goldwyn is seen wearing a blue, blood covered collared shirt during the climax, just like his character Carl in the film "Ghost" (1990). See more »
Usually microwave ovens don't work while the door is open, as depicted at the end of this movie, however earlier on in the film it is stated that the microwave is broken. See more »
[telling joke to Giles]
So the next week, he's even hornier. And this time, he's got twenty bucks instead of ten. He goes back to the whorehouse, he slaps down the twenty, and tells the madam he needs to get off, but he ain't going to screw no goddamn chicken this time. She says it still ain't much, but she can help. She tells him to go to the room at the top of the stairs. This time there's just a bunch of guys jerking off, but one of the jerk off guys assures him "oh hey, it's ...
[...] See more »
Written by Graham Stuart Cassie, David Harper, Simon D. Harper, Tim Holmes, Richard Fearless (as Richard Maguire), Daniel Whitlock, John Yorke
Performed by Death In Vegas
Courtesy of Sony BMG Music Entertainment (UK) Limited
By Arrangement with Sony BMG Music Entertainment See more »
Extremely violent remake with sadistic scenes and repulsive crimes
This rendition based on Wes Craven's film debut is a modern little production that rises above its unsettling plot , passable production values and via its grimly affecting portrait of human evil infiltrating a middle-class household. The story is adapted from ¨Ingmar Bergman's The Virgin Spring ¨, but the movie has more in common with ¨Sam Peckinpah's Straw Dogs¨ as it charts the descent of a harmless married couple (Tony Goldwyn , Monica Potter) into methodical killers . A quartet of criminals -a distorted version of the nuclear family , a sadistic Manson type group- kidnaps a pair of teenage girls (Sara Paxton, Marta MacIsaac) and proceeds to ravage, rape, and finally brutally torture them in the forest , unwittingly within walking distance of their rural house . The murderers take refuge in the one girls' own home, only to meet even sterner justice , as when the parents discover just who they are and what they have done, they plot violent vendetta , taking a peculiar retribution .
This remake produced by Craven and Sean S. Cunningham is a sleek production with average budget and packs genuine chills , suspense , repugnant scenes, tension , and shocks , it's a terror-thriller very exciting . Gory, gruesome , pretty repellent , extremely violent and unrelenting shock-feast laced with the avenging theme . The film is paced with intelligent edition , special use of color and slick utilization of shock images that take place in the astonishing close-up crimes . While the look is suitable atmospheric and eerie , the argument stretches plausibility to the breaking point . This one is another adaptation based on horror classics of the 70s and 80s, such as ¨Halloween ¨, ¨ 13 Friday ¨, ¨Nightmare in Elm Street and ¨My bloody Valentine¨, among others , all being recently remade in modern style . The unsettling scenes and action are accompanied with adequate musical score by composer John Murphy. Director Greek Dennis Illiadis redefines the classic horror picture with this his second film , being the first titled ¨Hardcore¨ , another strong story dealing with Greek prostitutes . The movie portrays modern society crumbling into terror and madness . Illiadis gives his film an uncomfortable verisimilitude , setting it squarely in the heartland of modern America . While at times it's awkward and inconsistent, with distracting interludes, his handling of the cruel horror scenes is disgusting, and with brief unexpectedly quiet and lyrical moments in the beginning . Rating : 6,5 ; acceptable remake full of violent frames as well as the original . Humiliation images and graphic torture rate this one a ¨R¨ at best , avoid squeamish people because it will probably turn their stomach .
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