Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
When the Chase family moves to an isolated house in the middle of nowhere in Detroit, Arkin is hired to fix the windows and the doors. Later he meets his daughter and his wife that has a debt with dangerous sharks and needs money, but his week payment is not enough to pay her debts. Arkin plots to heist the safe of Michael Chase during the night to raise the necessary money. However, when he arrives in the house, he finds that a sadistic criminal has imprisoned the family and planted traps everywhere. Arkin seeks a way out of the deadly house to save his life. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Collector urban legend is really a catch-all legend for creepy hermetic neighbors that may be doing something horrifying inside their dungeon-like basements. The most common "Collector" legend is the neighbor who collects human body parts and proudly displays them in mason jars. In Russia, the Collector urban legend has a bright future because it played out in real life. Its new mascot is local Russian historian Anatoly Moskvin, who stole corpses from cemeteries in dozens of towns east of Moscow. According to police, he dug up at least 29 corpses and made dolls out of them-life-sized faceless female dolls with platinum blond wigs. See more »
(at around 1h 23 mins) In the ambulance, when the collector is cutting the hero out of his restraints, the hero has shoes on when he should be barefoot. See more »
Pleasantly surprised since this is a way-above average shocker. Unpleasantly surprised because there's an awful lot of unpleasant surprises!
This had me jumping, open-mouthed, rewinding to check that I'd REALLY just seen what I saw...I don't think I've been as jumpy as this since the tower scene in 'In Bruges'.The editing of the gore scenes was brilliantly done, adding to the tension and the in- your-face, jumping-out-of-the-shadows quality. I'm also surprised that the writers and director were able to keep the ending they did: I thought it would have been preview- screened out of existence.
The film did take a while to get going, but when it hits its stride...phew! Although I'd never seen any of the actors before, the performances were top- notch.
Makes the last SAW films look like a teddy-bear's picnic...apparently, it was written by the writers of the last few SAW movies. They seem to have found their form again.
14 of 22 people found this review helpful.
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