Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational, and is churning out menacing food-animal hybrids.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith,
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets his father-in-law.
Flint Lockwood thinks he's a genius. But none of the things he invented are things that make sense or are useful. However, he has the support of his mother but when she dies, he's left alone with his father who thinks he should give it up. When the community that he lives in is in an economic crisis because their primary source of income, a sardine cannery, was shut down, Flint decides to try his latest invention, a machine that can turn water into food. But something goes wrong and the machine ends up in the atmosphere. Later it starts raining food. The shifty mayor tries to use this as a way to help their community, but when Flint senses something wrong with the machine, the mayor convinces him to ignore it. However, as Flint predicts, chaos ensues.Written by
(at around 49 mins) The "spaghetti tornado" originally rotates clockwise, then counterclockwise, then back to clockwise. See more »
Have you ever felt like you were a little bit different? Like you had something unique to offer the world, if you could just get people to see it. Then you know exactly how it felt to be me.
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On the Columbia Pictures title screen, the Torch Lady is dislodged off the pedestal by a giant banana that falls from the sky. See more »
Written and Performed by Trevor Rabin
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing See more »
Superb animation, wonderful story
Truly great animation, with the expressions of the eyes reminiscent of anime. A story that is about the child within each of us, yet all the while considering the risks involved during the whole of life. This is a story about innocence, in the true meaning of "knowing oneself completely" and all that this implies. It is also a story very much about the importance of imagination and creativity.
I am a child and an adult. What I've been taught, not entirely by just my fellow human beings, is that judgment is never productive. At its best, it is a desire to share with others something we do or do not appreciate. At its worst, it is a shutting down of the connection we have with each other. Perhaps a more productive way of sharing opinions about anything might be making distinctions between what is appreciated about the thing, and what is not, and the reasons for both aspects of these thoughts/feelings. This story actually addresses this tough issue, while entertaining us with a romp and a grand adventure.
My appreciation of this film is that it inspires me to laugh at myself (it's quite funny), at us, and my culture. And all the while, it is kind. The story and animation are tremendously imaginative, a quality I've found missing in many stories, animated or not. One of the themes, if not the main thread of the story, is that we humans are creative beings, and that, while this involves risks, we must express our imagination or take the greater risk of becoming stuck, stale and static, living only in the past tense.
The greatest compliment I can give this film is that I want my 2-year-old granddaughter to see it, for I am absolutely sure she will enjoy it almost as much as I have at age 61.
Greg Pittsburgh, Pennsylvania
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