Reviews

Episodes

Seasons


Years



Unknown  
1967   1966   1965   1963   1962  

Photos

Learn more

People who liked this also liked... 

Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

Believing himself to be dying, a man hires an assassin to kill him so he can frame an enemy for the death.

Director: Alan Cullimore
Stars: Valentine Dyall, Anne Firth, Richard Goolden
Jackpot (1960)
Drama
    1 2 3 4 5 6 7 8 9 10 6/10 X  

A safe in 'The Jackpot Club' is robbed of £6,000. The police and the owner of the club want to track down the safecracker, but for very different reasons.

Director: Montgomery Tully
Stars: William Hartnell, Betty McDowall, Eddie Byrne
Scotland Yard (TV Series 1960)
Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Each episode is based on a true crime case with the names changed.

Stars: Geoffrey Matthews, Brian Vaughan, Ewan MacDuff
Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

Mystery crime story's currently being shown on talking pictures tv, with sometimes different cops and many now famous faces.

Stars: Bernard Lee, Stanley Morgan, Tony Wall
Edit

Cast

Series cast summary:
Edgar Lustgarten ...
 Himself - Introduces / ... 13 episodes, 1962-1967
Edit

Storyline

Add Full Plot | Add Synopsis

Genres:

Crime

Edit

Details

Country:

Language:

Release Date:

November 1962 (UK)  »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

The Tornados covered the theme tune as the B-side of their #18 UK hit "Ice Cream Man". See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
A warm glow of nostalgia but very little else
29 December 2017 | by See all my reviews

I'm old enough to remember seeing some of these at the local ABC, Odeon or Gaumont decades ago. I thought they were pretty dreadful then and having seen the thirteen again I still think so. Now however they have assumed a warm glow of nostalgia of evenings at the flics seeing some Hollywood blockbuster, trailers, Pearl & Dean ads, maybe a cartoon or two and another Lustgarten 'Scales of justice' second feature.

Lustgarten's presence was rather irrelevant, especially his ponderous introductions describing the crimes we were about to see and he gave the impression that the stories were based on real crimes but they were so mundane, in the criminal sense, that every drama was basically fiction.

The thirteen 'Scales of justice' films were really the poor relation to the forty-seven 'Edgar Wallace mysteries' that Merton Park Studios churned out through the sixties with Jack Greenwood as the producer for all of them but then he was the boss of Merton Park. So these SoJ movies had to wrap it all up in twenty-five minutes or so when the Wallace series had the luxury of about fifty-five minutes. Both series though had the same faults: cheapness (all the interior sets look exactly like film sets) hopelessly unimaginative direction (a phone rings and someone always looks in the direction of the ringing) endless visual and script cliches; a complete inability to soften shadows everywhere (I often thought they used searchlights instead of proper set lighting).

What I did find surprising, seeing them again, was how lightweight the court scenes were. These only take a few minutes in each film and there is none of the cut and thrust of blokes in wigs wearing down a witness until they confess which is the usual courtroom film style. But really the crimes were so inconsequential. One film: 'A woman's privilege' is about a breach of promise (featuring Bernard Archard and Patrick Wymark) another: 'Company of fools' is not much better than a 'Carry on' film.

I think the series was really made for TV rather than the big screen but they slotted into an evening's entertainment easily enough but I wonder if they sometimes shared the bill with real British films of the sixties like: A taste of honey; Alfie; Billy liar; Saturday night and Sunday morning; Room at the top. The tackiness of Merton Park productions would really become apparent.

*Here's a tip: on each film press the fast-forward for about a minute and half to avoid the StudioCanal nonsense logo and an equally dreadful stock intro to each SoJ offering.


0 of 1 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 3 user reviews »

Contribute to This Page