A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. ... See full summary »
An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.
Johan (Cornelio Wall Fehr), a Mennonite living in Mexico, is tormented with guilt over his extramarital affair with Marianne (Maria Pankratz). His father (Peter Wall), best friend (Jacobo Klassen) and wife (Miriam Toews) know the truth, but Johan's suffering has to do with his faith, which he can't reconcile with his deeds.Written by
Mexico's official submission for the 80th Academy Awards, and the first film from that country that is not in Spanish. Under AMPAS's new rules for Best Foreign-Language Film, it is eligible for a nomination. See more »
As a Mexican, I forget that this country is formed not only by cities'and country inhabitants. There is an almost infinite number of variables between those to macro worlds. A movie like this helps you remember how diverse and rich human race is, and that you are surrounded by so many different types of individuals, but it's just that you don't want to look carefully. This movie is really art cinema, and it was great for me watching this kind of production in a commercial location. From the moment of the initial sequence -that resembles the long scenes in Russian movies and theater- I knew that what I was about to witness was a display of delightful movie making. This one is definitely not for the average movie goer that wants to see explosions all over the place and easy to understand plots. No, definitely not. But If you are one of those, I strongly encourage you to see it, but do that with an open mind, knowing that it will be an extremely hard to digest film. And sometimes, you need to sacrifice something in order to enjoy the worthy things in life. And with the closing sequence, parallel to the opening one, I felt I paid to watch a real movie, and believe me, that does not happen often to me.
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