In July 1979, during the Summer holidays, in a house somewhere in Brittany, a whole family (parents, uncles, aunts, cousins and other relatives) are gathered to celebrate Granny Amandine's ... See full summary »
Al, a French living in Los Angeles, organized a barbecue for the birthday party of her friend V., whose party is filmed. As Jimmy, Al's boyfriend, does not come and left no news, Al and V. go looking for him.
2 Jours - 2 Days follows two days in the relationship of a New York based couple - a French photographer Marion and American interior designer Jack - as they attempt to re-infuse their relationship with romance by taking a vacation in Europe. Their trip to Venice didn't really work out, - they both came down with gastroenteritis. They have higher hopes for Paris. But the combination of Marion's overbearing non-English-speaking parents, flirtatious ex-boyfriends, and Jack's obsession with photographing every famous Parisian tombstone and conviction that French condoms are too small, only adds fuel to the fire. Will they be able to salvage their relationship? Will they ever have sex again? Or will they merely manage to perfect the art of arguing?Written by
While working on the movie, Julie Delpy claims she didn't watch any romantic comedies for inspiration. She did, however, watch Jaws (1975) several times. The arguments between Jake and Marion, she said, resembled a shark lurking in the water. See more »
When Marion tells Jack she doesn't use that thermometer in the mouth, Jack spits it out and it falls near the side wall, but Marion picks it up from the bed. See more »
[Jack removes Marion's glasses]
I can't see you. I could be having sex with Gregory Peck or something.
Well, good for you.
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Julie Delpy excels in '2 Days in Paris' as she writes, directs, produces, composes the music and stars in this romantic bitter/sweet comedy. Opposite Adam Goldberg, who has amongst other things played psycho Eddie in Friends and Private Mellish in 'Saving Private Ryan', Delpy shines as the nerdy photographer who has trouble with her eyes. The two central performances and sharp script means the film flows along at a pretty fast pace with the one liners so frequent you could easily miss the odd one. The situations explored around relationships and family are universal and so easy for anyone to relate to, there are misunderstood physical situations and language barriers which all add to the overall melodrama/comedy unfolding on screen. The film is peppered with brilliant moments from the awkward to the bizarre and the laughs come thick and fast, with Paris as a backdrop the lovers weave in and out of one situation to another always in love yet always on the verve of break-up. Co-starring Delpy's real father as her in film father shows a sense of tightness and a labour of love that comes across in the finished product. Like a cross between something from Woody Allen and Amelie this film has a special naivety full of wonderment juxtaposed with the dark underbelly of life that is at times hard to escape. Whether you laugh or cry you can't fail to be moved by a film so simple in its execution of themes that can, as displayed, be so complicated. Delpy has made something she, and everyone involved, should be very very proud of.
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