Before Krypton exploded and Jor-El put his baby son, Kal-El, in a rocket ship to Earth, the benevolent ruler was forced to banish three irredeemable criminals to another dimension called The Phantom Zone. The trio's leader, General Zod, vowed revenge. Later, of course, Kal-El grew up to become Superman, Earth's mighty champion. A battle with the criminal mastermind, Lex Luthor, ends with Superman hurling a nuclear warhead into space where it explodes, but not harmlessly. Instead, it frees the Kryptonian threesome from their other-dimensional prison. They soon discover they have almost unlimited power (the same powers, in fact, as Superman), which they use to take over the Earth. Meanwhile, the intrepid reporter, Lois Lane, learns that her bumbling colleague, Clark Kent, is really Superman, a revelation that leads to him bringing her to his frozen Fortress of Solitude and renouncing his powers in order to make love to her. It is only when Superman and Lois return to civilization that ...
As Originally Conceived and Intended
Motion Picture Rating
Rated PG for sequences of action violence, some language and brief mild sensuality
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28 November 2006 (USA)
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Also Known As:
Superman II: The Richard Donner Cut
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Aspect Ratio: 2.35 : 1
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Did You Know?
The actress playing Lois Lane using the typewriter during the end scene is not Margot Kidder. The ending that was written, but never filmed, had Lois Lane die at the Fortress of Solitude, which in turn caused Superman to reverse time. The typewriter scene was shot in 2006, specifically for the restoration, and had an uncredited actress stand in for Lois. See more
Superman turns back time so that General Zod, Ursa and Non never leave the Phantom Zone, but we aren't shown how Superman deals with the missiles launched at the end of the first Superman movie - meaning, after turning back time, they should escape again, if Superman dealt with the nuclear missiles in the same manner. (This is a problem that actually stems from the first movie, where we aren't shown Superman dealing with the crisis in a different fashion after Lois dies - he shows up at Lois' car, and the aftershocks that caused her death just never happen.)
The next scene we see is meant to be the beginning of the movie again, with the Daily Planet - so after the nuclear explosions, and before the arrival of the villains - but Clark goes back to straighten out the trucker who hit him afterwards - though because Superman turned back time, basically, this event never happened - so Clark was hitting an innocent man for no reason. (The diner owner says that he just had the place fixed up - meaning the scuffle did occur, and Clark claims he's been working out, meaning from the last time they saw him, when he was beaten - however, again, this never happened because Superman turned back time again.)
Moreover, towards the end of the film, Superman destroys the Fortress of Solitude with his heat-sight - the Fortress of Solitude should be reconstructed (and with Jor-El available to guide Kal-El again) due to Superman turning back time again. The time travel device, beyond complicating the film's time-line, nullifies Jor-El's sacrifice and Superman's lesson, as after turning back time, things should be "back to normal" again.
Furthermore, if Superman's end-game was to turn back time all along, he didn't have to fight the super-villains in Metropolis or in the Fortress of Solitude at all - he could have turned back time immediately after regaining his powers, or following the Metropolis fight. See more
I ask you now to pronounce judgment on those accused. On this... this mindless aberration, whose only means of expression are wanton violence and destruction; on the woman Ursa, whose perversions and unreasoning hatred of all mankind have threatened even the children of the planet Krypton; finally, General Zod. Chief architect of this intended revolution and author of this insidious plot to establish a new order amongst us... with himself as absolute ruler. You have heard the ...
After the Warner Bros./DC Comics logos, there is an on-screen dedication "in loving memory" of Christopher Reeve
, "Without whom we would have never believed a man could fly". See more
Version of Krypto the Superdog