In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie "Romania's Independence" - an as faithful as possible ...
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A humble Romanian actor in his 30s, hardly surviving between a complicated part in a musical, a depressed wife, and the obsession of an imminent, devastating earthquake, becomes the victim of his manipulative father.
The film is an adaptation of a novel by Marin Preda, a controversial novelist who died during the Communist rule soon after the book was published. It tells the story of an intellectual, ... See full summary »
A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become as her ... See full summary »
A Romanian police officer teams up with a small crew of old friends from the World War II Jewish Resistance to pull off a heist by convincing everyone at the scene of the crime that they are only filming a movie.
This movie depicts the two years that young Stendhal spent in Italy. Stendhal, that time still known simply as Henri Beyle, is living the life of a wanderer, looking for a direction in his ... See full summary »
In a small isolated village, in 1953, a wedding is interrupted by the news about the death of Stalin. Because any public celebration is forbidden, they decide to turn the happy event into a silent wedding.
Meda Andreea Victor,
In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie "Romania's Independence" - an as faithful as possible screen adaptation of the real Independence War that had been fought in 1877. Now, "Restul e tacere" tells us, in a loose and half-fictionalized way, the story of this movie making.Written by
Love films. Always have, always will. Would like to love Romanian films too, because it just feels good to hear a film unfold in my very own language. But things are as they are and I can't make them any different. All I can try is change my "optic" of things, which I can't seem to do in this particular case. Some films sway you to, others don't. It's just as simple as that.
In Caranfil's style, "Restul e tacere" is a jolly new film about film, but also about jolly old Romania and the people inhabiting it. It looks good and is decently acted, as a young protagonist tries to make a film about the Romanian battle of independence, against the Turks, which leads him on a road of enlightenment about the people of that world. A lot of character types pop up in this morally vile Romania which bear a lot of criticism to the contemporary one as well.
What disappoints me is that subtlety is often sacrificed for clarity, with an ending so full of itself that it just undermines many of the things said and done along the way. It is undeniable that the film has moments of poignant humor and all in all manages to sketch a very true form of the ill society which rules the land, now and then, but it isn't "round" enough to be placed on the shelf it wishes to place itself.
I may be overly harsh about Caranfil's latest effort, but I do not wish to ignore the underlying themes and motifs he ties in with the story, the allegorical parallels of other stages of the world and some of the great single elements which are part of it. However it isn't enough - as far as I'm concerned - to be really smart about the things you say, if the way you say them doesn't fit.
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