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The Darjeeling Limited (2007)

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A year after their father's funeral, three brothers travel across India by train in an attempt to bond with each other.

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4 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Francis
... Peter
... Jack
... Rita
... Brendan (as Wally Wolodarsky)
... The Chief Steward
... The Father
... The Mechanic
... Alice
... The Businessman
... Patricia
A.P. Singh ... Taxi Driver
... Old Man
Dalpat Singh ... Waiter
Trudy Matthys ... German Lady #1 (as Trudy Mathis)
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Storyline

A year after the accidental death of their father, three brothers -- each suffering from depression - meet for a train trip across India. Francis, the eldest, has organized it. The brothers argue, sulk, resent each other, and fight. The youngest, Jack, estranged from his girlfriend, is attracted to one of the train's attendants. Peter has left his pregnant wife at home, and he buys a venomous snake. After a few days, Francis discloses their surprising and disconcerting destination. Amid foreign surroundings, can the brothers sort out their differences? A funeral, a meditation, a hilltop ritual, and the Bengal Lancer figure in the reconciliation. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

train | india | journey | funeral | snake | See All (115) »

Taglines:

I want us to be brothers again, like we used to be.


Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

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Details

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| | |

Release Date:

26 October 2007 (USA)  »

Also Known As:

Darjeeling Limited  »

Filming Locations:

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Box Office

Budget:

$17,500,000 (estimated)

Opening Weekend USA:

$134,938, 30 September 2007, Limited Release

Gross USA:

$11,902,715, 28 February 2008

Cumulative Worldwide Gross:

$35,076,923, 28 February 2008
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.40 : 1
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Did You Know?

Trivia

The abbey towards the end of the film was originally the Maharana of Mewar's royal hunting lodge in Udaipur, built during the Rajput era. Production designer Mark Friedberg was inspired by Michael Powell's Black Narcissus (1947), which takes place at an abbey in the Himalayas. See more »

Goofs

When Peter throws the belt at Francis in the train cabin, shaving cream is on his face. When Francis retaliates immediately after, the shaving cream is gone. See more »

Quotes

[first lines]
The Businessman: That's my train.
See more »

Connections

References Teen Kanya (1961) See more »

Soundtracks

Title Music
from the Film Bombay Talkie (1970)
Original music by Shankarsingh Raghuwanshi (as Shankar) & Jaikishan Dayabhai Panchal (as Jaikishan)
Courtesy of Merchant Ivory Productions. Ltd.
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Frequently Asked Questions

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User Reviews

 
Anderson hits it big with offbeat, quietly affecting effort
24 October 2007 | by See all my reviews

Given the trademark quirkiness yet insight into many profound truths of human behaviour one would expect from director Wes Anderson, it should come as no surprise that his latest film, The Darjeeling Limited, demonstrates the majority of these traits with particular flair and distinction, arguably Anderson's strongest work to date.

The typically disjointed plot details three brothers (Owen Wilson, Adrien Brody and Jason Schwartzman) who, in an attempt to bridge the gap between them, embark on a "spiritual journey" across India by train. Of course, considering Anderson's tendency towards offbeat comedic situations, and a series of problems involving Indian cough syrup, a poisonous cobra and pepper spray, the journey does not, of course, go as planned, and the brothers are forced to cope with their increasingly difficult situation and each other in turn.

Do not mistake the film for the conventional road trip buddy comedy it may appear to be - Anderson is far too eclectic and clever to subscribe to such traditional fare, and his film is instead a far more emotional effort. With a particular knack for intricate character and storyline development, Anderson's script carefully doles out tidbits of character history throughout, painting a gradual and remarkably detailed portrait of the central characters as the film progresses. Though the film may drag or feel as if it falls slightly short of its true potential at times, on the whole it is far to easy to be swept up by the film to dwell on such minor concerns.

The gorgeous Indian scenery is captured with particular affection by Anderson's jarring cinematography and sharp eye for intriguing colour schemes. The film's wonderfully fitting soundtrack perfectly compliments the sublime visuals, making for one of the most aesthetically pleasing films in recent memory.

The central three actors are the real draw of the film, and all three boast excellent chemistry throughout. Owen Wilson, as usual, is effortlessly funny as spiritually obsessive control freak Francis, but also brings a tragic undercurrent to his character, made more poignant due to recent real life events out of character. A superb Adrien Brody steals the show as the emotionally unstable soon to be father Pete, demonstrating both previously unseen comedic abilities, and genuinely affecting emotional clout. As bitter writer Jack, Jason Schwartzman proves proficient at raising many a laugh, but despite his strong performance is easily overshone by his two co-stars during the film's dramatic moments. Watch also for amusing cameos from Bill Murray and Natalie Portman (featured more significantly in the film's 13 minute prequel found online at www.hotelchevalier.com), and a somewhat forced supporting role from Angelica Huston near the end.

Like the rest of Anderson's other work, audiences will likely either love it or hate it. This is not a typical belly laugh evoking comedy à-la-Superbad - the humour present is more sly and chuckle worthy, and prides itself more on precisely crafted characters and situations than sight gags and one liners. Those willing to appreciate the film for what it is will enjoy an intelligent and touching spiritual meditation on family, and life in general. The joy is in the journey, and a journey as quirky and sentimental as this is one easily worth taking - for those willing to put forth the effort to overcome mainstream expectations, the film will not disappoint.

-8/10


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