The Spirit

This movie is amazing. everything about it from the visuals to the acting to the storyline it is all just amazing. Do not listen to anyone who says this is bad it is amazing. This is definitely one of the best movies of all time. Go out and by this movie today. It's only like 10 bucks now. AND IT IS WORTH IT. GO FRANK MILLER!!!!!! By the end of the film you love the characters and if anyone tells you otherwise just ignore them and say you are wrong. wrong. wrong. wrong. wrong. wrong. No matter how busy you are just go see this movie NOW! it is very very very cool and fun. It is so good that even people that hate these kind of movie love it. Go see it today!

I really wanted to like this but the main actor who played the Spirit was just plain awful. And everyone acting was dreadful, the writing is dreadful and the direction is dreadful. Maybe Frank Miller wanted that actors to Over act and over act they did BIG TIME. Sam L. Jackson is so over the top that it was painful. We were laughing at some scenes not because it was that funny, it was just that embarrassing. The first fight scene (not giving anything away), that the Octopuss had with the Spirit was force and confusing and so out of place and completely uninteresting.

This movie is STYLE over SUBSTANCE. And it's hugely disappointing from the guy that was part of The 300 and Sin City. I guess every good person have their bad movies. I think perhaps Miller wanted the characters to be cartoonish. At one point, I wouldn't have been surprised to see an anvil drop on someone's head, thats how ridiculous this movie was. Perhaps one has to be a fan of the comic book... (or graphic novel in some circle) in order to truly enjoy this. I went with three other friends and 3 out of 4 of use thought it was awful and the other person just said, "it wasn't that bad".

That voice over of the spirit was just bothersome the entire movie. I was thinking... please, for the love of god, shut him up. The Spirit's voice over is irritating like Jock itch.

Now for the other actors, Eva Mendes is as beautiful as always and at one point I heard at least 10 independent dayums go out like some said it once at the grand canyon and you got 9 echos... .DAYUM! dayum dayum dayum dayum...

The other ones didn't get to do anything, except there are moments of irritating joy in the Octopuss' creations. The Spirit gets a 4 out of 10 for not actualizing the film that it could have been. It is a pass.

"His soul stretched tight across the skies/ That fade behind a city block . . .' T. S. Eliot, Preludes

Because writer Frank Miller knows a bit about comic books, his solo directorial debut (He co-directed Sin City with Robert Rodriguez and Quentin Tarantino) is a feast of comic book campy dialog, outrageously curvaceous women, and a reborn hero, Spirit, whose abs compete very nicely, thank you, with those women's notable parts. It's all about the mythological struggle of good and evil with visual delights and a bunch of bright dialog.

Denny Colt (Gabriel Macht) is a former cop, recently dead, come back as Spirit, an avenger trolling the city for the very alive bad guys, especially Octopus (Samuel L. Jackson), who kills indiscriminately, especially those who dare to look at his face (As he hits Spirit over the head, he says, "Come on! Toilets are always funny!"). Mostly his plan to wipe out the city holds Spirit's attention.

Spirit's voice-over narration about the city may not be T. S. Eliot, but it has poetry about it as Spirit extols the city's feminine qualities that make it his girl. Well, that's a bit of a stretch because Spirit spends a good deal of time seducing most of the skirts he meets with a special eye for childhood sweetheart Sand Saref (Eva Mendes), now a notorious global jewel thief and implicated in murders in Spirit's own Central City:

The Spirit: "There probably isn't a law in the books that you wouldn't break." Sand Saref: "Do I look like a good girl?"

The comparisons with Sin City are inevitable but not difficult because Miller seems to be approaching Spirit as visually more stylized and plot less complicated. Even the narration and dialog are minimized and more exaggerated, but to good effect.

Spirit is one of the best movies of the year: an imaginative take on a comic book character that visually stuns and verbally amuses.

Can't ask for more than that this Oscar year.

I was very excited about The Spirit because I am a big fan of Sin City and was looking forward to see Frank Miller in action again. Also, the cast seemed to be a great lineup. However, it doesn't matter how good the actors are if the plot and script are lame, and I am here to tell you -- I don't even think the likes of Anthony Hopkins and Meryl Streep could have saved The Spirit for this reason.

I kept waiting for the story to intrigue me and for the characters to develop. I watched a couple of people walk out of the theater about an hour through... Finally, I checked the time (never a good sign when you're watching a movie), only to discover that the movie was nearly over, and there would be no chance for redemption.

Aesthetically, The Spirit was interesting, but I couldn't help feeling like I'd seen it all before. The cinematography and graphics were pretty much a carbon copy of Sin City. I expected to see similarity (Frank Miller's style is distinct, after all), but not identical visual imagery.

Bottom line, I rarely see movies in the theater because it's expensive! For three people, we spent over $50 in downtown Seattle for this experience, and it was so disappointing. I hate to waste that much money on such a poorly written, boring movie. My recommendation is to skip The Spirit altogether (really, the plot and script are that bad). But if you're really curious, save your money and rent it when it comes out on DVD.

Scene: a foot with a face on it is merrily hopping around a countertop. Meanwhile a slutty nurse is talking about economic strategies of a criminal organization. Three identical idiots are watching on with titillation. The boss is hunched over the foot with great consternation, repeating "That's just damn weird."

WTF??

Who here grew up on comic books, raise your hands. The dork madly flailing in the back would be me. In order to appreciate this film it requires some familiarity with the comic book medium and its ability to take us into an utterly bizarre, senseless and oftimes brainless world. Situations are surreal. Dialogue is snippy, contrived and just a snicker away from utterly ludicrous. That's what comic books do, and this film is one of the most faithful adaptations I've seen.

Those who criticize this movie for "bad script", "bad acting", etc would have a point if we were talking about some snotty, pretentious too-cool-for-mainstream flick, but no, this is the opposite: pure fun. I mean, jeez, when the bad guy pauses in the middle of a tense battle to talk about eggs... or when he gets into a debate with one of his henchmen over the job's healthcare benefits, how can you NOT have fun?? Instead of expecting an action film, you should go into it expecting something more like "Airplane!" and I guarantee you'll have a great time & some big laughs. Like when one guy commits hara-kiri with a samurai sword and says "Am I doing this right? It sorta smarts." OMG LOL. And there's plenty more where that came from, but I won't spoil it.

Both Samuel L Jackson & Scarlett Johansson as his deadpan sidekick deliver top-notch comedic performances with pinpoint timing. Set against a wickedly incongruous backdrop of "film noir" where madcap comedy is definitely against the rules, "The Spirit" presents us with one of the greatest bipolar contrasts since "Catch-22" (the greatest deadpan action flick ever).

And just a word about contrast, I'm sure that's part of Frank Miller's intent, seeing how the film is full of biting visual contrasts. I won't even go into how masterfully he brought the comic book visuals to life; you just gotta see it.

If you like witty, tongue-in-cheek, dark comedies, then this is the film for you. A lot of action films are peppered with wit & humour, but this is one of the few that crosses into outright comedy, and it does a great job. If you like this film, keep an eye out for the Japanese flick "Cutie Honey", another great, artistic, campy romp which was misunderstood by audiences and overlooked.

If any of what I've said resonates with you, I strongly urge you to run down to your local Blockbuster where you can find this film in the $2 bargain bin, watch it & get in early on the cult following. It may be 10 years before people come to appreciate what Frank Miller did here, but you can say, "I told you so!"