The crypto-zoological agency Monarch faces off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah.
Millie Bobby Brown
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have.Written by
Kenneth Chisholm (email@example.com)
The first installment of the MonsterVerse. See more »
During the scene when LT Brody and Sgt Morales are on the bridge checking out if it is intact, they encounter the MUTO and duck down on the bridge. You get a glimpse of their M4A1 and you see that they both have Insight AN/PEQ2A laser box on top their M4's.
That unit has been discounted and would not have been issued to US armed forces since 2010. The new SOCOM block 2 has the PEQ15 laser box as a replacement.
The biggest difference in the two units is that PEQ16 has a Visible Laser with IR laser and IR laser designator. While the PEQ 2 only had an IR laser and IR laser designator.
This US Army has replaced all PEQ2 models with the Insight AN/PEQ15 and in case of the navy and marines it would be PEQ 16. (Dependent on units and missions) See more »
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
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During the credits for Bryan Cranston, the rest of the text is redacted except for the words "Walter" and "White". Walter White is the name of the character played by Bryan Cranston in TV series Breaking Bad. See more »
The Weathered Man
Written by Coltan Fisher, Jason Rabinowitz, James Katalbas, and Jaron Lamot
Performed by The Holy Bridge Orchestra
Courtesy of The Math Club
Under license by Music Asset Management, Inc. See more »
Godly Presence of the Legendary Atomic Monster of Japan
Godzilla (2014) is a mediocre film that the filmmakers did not give the persuasive plot for why Godzilla appears and helps people from the Mantis-like MUTO which is quite familiar design among US sci-fi films. There is only one line of Dr. Ishiro Serizawa (Ken Watanabe)'s explanation for the cause that 'It's natural order.' It explained everything in the fictional reality world.
More over it is a pro USFJ film that the multinational nuclear plant corporate stationed worker Joe Brody (Bryan Cranston)'s son, USFJ soldier, protagonist Ford Brody (Aaron Taylor-Johnson) successfully revenges MUTO which kills his parent in Japan by detonating its nest. And other sub characters including Dr. Ishiro Serizawa (Ken Watanabe) are one of observers of the battle between Godzilla and MUTO.
Beside the major plot flaw, the film's major success is that the filmmakers correctly avoid the lack of godly appearance / presence of the legendary atomic monster. If it is just a giant dinosaurs like Jurassic Park (1993), it is quite meaningless.
Godzilla is supposed be the Shintou the Japanese religion's god thus it should have the unimaginable power. The Western concept of Titan is harmonious with the Shintou concept of the Gods. The US filmmakers approach to the Godzilla in Godzilla (2014) and and other two Hollywood films are appropriate in terms of the Japanese culture. Moreover it is an issue of Defamiliarization of previous giant dinosaur films they have to overcome.
So called Defamiliarization or ostranenie is the artistic technique of presenting to audiences common things in an unfamiliar or strange way in order to enhance perception of the familiar.
The creature design concept of Titan-like Godzilla is not only obvious in the sequel but also the previous film Godzilla (2014) already materialised the creative concept. This is the most complemental achievement of this Hollywood franchise.
"Primitive man saw these creatures, and you want to give them a presence that would make him drop to his knees and bow to this god...It can't just look like big dinosaurs. Jurassic Park has that covered. These have to be distinct. They have to be their own thing. They're Titans." - Dir.Michael Dougherty
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