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Godzilla (2014)

PG-13 | | Action, Adventure, Sci-Fi | 16 May 2014 (USA)
Trailer
2:26 | Trailer
The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.

Director:

Gareth Edwards

Writers:

Ishirô Honda (based on the character: Godzilla, owned and created by) (as Toho Co., Ltd.), Takeo Murata (based on the character: Godzilla, owned and created by) (as Toho Co. Ltd.) | 3 more credits »
Popularity
1,450 ( 89)
7 wins & 31 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Aaron Taylor-Johnson ... Ford Brody
CJ Adams ... Young Ford
Ken Watanabe ... Dr. Ishiro Serizawa
Bryan Cranston ... Joe Brody
Elizabeth Olsen ... Elle Brody
Carson Bolde ... Sam Brody
Sally Hawkins ... Vivienne Graham
Juliette Binoche ... Sandra Brody
David Strathairn ... Admiral William Stenz
Richard T. Jones ... Captain Russell Hampton
Victor Rasuk ... Sergeant Tre Morales
Patrick Sabongui ... Lieutenant Commander Marcus Waltz
Jared Keeso ... Jump Master
Luc Roderique ... Bomb Tracker
James Pizzinato ... HALO Jumper
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Storyline

In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

The king arrives See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of destruction, mayhem and creature violence | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

In San Francisco, Ford Brody climbs aboard a boat labeled "Go Whale Tours." Godzilla's original Japanese name, "Gojira", is a combination of "Gorilla" and "Kujira," the Japanese word for "whale." See more »

Goofs

During the scene when LT Brody and Sgt Morales are on the bridge checking out if it is intact, they encounter the MUTO and duck down on the bridge. You get a glimpse of their M4A1 and you see that they both have Insight AN/PEQ2A laser box on top their M4's.

That unit has been discounted and would not have been issued to US armed forces since 2010. The new SOCOM block 2 has the PEQ15 laser box as a replacement. The biggest difference in the two units is that PEQ16 has a Visible Laser with IR laser and IR laser designator. While the PEQ 2 only had an IR laser and IR laser designator. This US Army has replaced all PEQ2 models with the Insight AN/PEQ15 and in case of the navy and marines it would be PEQ 16. (Dependent on units and missions) See more »

Quotes

[first lines]
Boyd: Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
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Crazy Credits

During the credits for Bryan Cranston, the rest of the text is redacted except for the words "Walter" and "White". Walter White is the name of the character played by Bryan Cranston in TV series Breaking Bad. See more »


Soundtracks

Breakfast in Bed
Written by Donnie Fritts and Eddie Hinton
Performed by Dusty Springfield
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group & Film & TV Licensing / Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises
See more »

User Reviews

Although effects and sound are technically impressive, it is quite unsatisfying and superficial
5 October 2014 | by bob the mooSee all my reviews

I'm no great fan of summer blockbusters and for sure am resistant to the idea of paying over the odds to sit in a crowded room and be disappointed. This usually sees me picking up with such films when they are cheaper to get on rental and just watch in my own home. With Godzilla I will admit I was tempted to join for the spectacle because in addition to this the film had the appeal of quite a starry cast list in addition to being from Gareth Edwards, the man who famously made Monsters in his bedroom and on the fly. This suggested that perhaps there would be more to it than just effects and big money shots. That said, I had heard negative things and I did approach it with low expectations because after all, it is just a Godzilla movie.

The film does try to create a human story to ground the audience and it casts wisely with Cranston, Binoche, Watanabe, Hawkins and others – all people who have a good presence in front of the camera. I was not to know that so many of the names that drew me to the project would be removed from the film pretty early on – a device that has impact for sure, but doesn't seem particularly brave since one suspects that the reason people like Cranston got onboard was that they were promised a lot for only relatively small parts. This leaves us with Taylor- Johnson and his quest to get home; a quest that never really interested me but at the same time is constantly pushed into the middle of the action no matter what or where it is. This saw my interest in the human side waning as the film progressed, leaving just the action.

On this front the film pushes things as hard as it can. The makers clearly know their action genre because this is a film that understands that soldiers running with guns and speaking in tough military dialogue while music pumps in the background, can grab an audience – so it does it, lots. Considering I didn't care two hoots for them, I was surprised by how much time I spent watching soldiers sweeping areas with guns pointed – it did start to bore after a while. The monsters and their destruction is nicely hinted at first, but eventually the film plays all its cards and we have lots of action and knocking down of buildings. Unfortunately much of it plays out in darkness – something which helps the atmosphere but limits how much can be seen. Technically it looks good and the money is all up on the screen (in the darkness) but it is probably the noise that makes the most impact and even on a lesser system the roars and thuds of the monsters are engagingly meaty.

Unfortunately this is really all that the film does, and it is quite uninvolving and unsatisfying. There is a lot of very good noise and big spectacle, but we have to experience through the human characters who we increasingly do not care about, and when the action really ramps up, it is detached from any sort of reality and I found myself appreciating the technical work rather than getting lost in what could have been dramatic and thrilling. As a blockbuster it probably has enough noise about it to be a distracting two hours if you have a good enough home entertainment value.


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Frequently Asked Questions

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Details

Country:

USA | Japan

Language:

English | Japanese

Release Date:

16 May 2014 (USA) See more »

Also Known As:

Nautilus See more »

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Box Office

Budget:

$160,000,000 (estimated)

Opening Weekend USA:

$93,188,384, 18 May 2014

Gross USA:

$200,676,069

Cumulative Worldwide Gross:

$524,976,069
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »

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