In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A giant, reptilian monster surfaces, leaving destruction in its wake. To stop the monster (and its babies), an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have.Written by
Kenneth Chisholm (firstname.lastname@example.org)
The United States Marine Corps declined to participate after reviewing the script. The United States Navy cooperated with production. See more »
At the beginning, the spinous process and transverse process on the the large ancient skeleton's vertebrae face inward, toward the rib cage. Essentially, the back of the spine is facing forward, which is anatomically wrong (even if the skeleton is from an extinct, undiscovered species). See more »
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
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The IMAX intro for the film features Godzilla's roar. See more »
Requiem for Soprano, Mezzo-Soprano, 2 Mixed Choirs and Orchestra
Written by György Ligeti
Performed by Das Symphonie-Orchester Radio Frankfurt (as the Frankfurt Radio Symphony Orchestra), conducted by Micheal Gielen, & Bavaraian Radio Chorus conducted by Wolfgang Schubert
Courtesy of Wergo/Schott
By arrangement with Source/Q See more »
An Enjoyable Action Romp That Restores The Franchise's Original Glory
In 1998, Roland Emmerich attempted to reignite the eponymous film franchise by creating the critically-panned flop 'Godzilla', 16 years on and we are now faced with one of the best adaptations of the iconic monster's adventures. Gareth Edwards created 'Monsters' in 2010 on a mere budget of £500,000, barely 4 years on and Warner Brothers offered him the chance to create a $160 million adaptation of 'Godzilla'. All the aspects from 'Monsters' are employed in this action/sci-fi adventure, but on a much grander scale. This is a treat for all Godzilla fans and a very respectable adaptation that stays true to the 1950s Japanese classic rather than wandering away like Emmerich's one did. Packed with stunning cinematography, vast special effects and a sweeping spectacle of giant monster battles, 'Godzilla' has been a fantastic start to 2014. Bryan Cranston and Aaron Taylor-Johnson's performances are outstanding and there is a certain chemistry that makes their relationship that bit more believable. Whilst at time there are some cheesy and over-the-top scenes, 'Godzilla' is nonetheless an enjoyable action romp that restores the franchise's original glory.
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