In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In 1999, the Janjira nuclear plant was mysteriously destroyed with most hands lost including supervisor Joe Brody's colleague and wife, Sandra. Years later, Joe's son, Ford, a US Navy ordnance disposal officer, must go to Japan to help his estranged father who obsessively searches for the truth of the incident. In doing so, father and son discover the disaster's secret cause on the wreck's very grounds. This enables them to witness the reawakening of a terrible threat to all of Humanity, which is made all the worse with a second secret revival elsewhere. Against this cataclysm, the only hope for the world may be Godzilla, but the challenge for the King of the Monsters will be great even as Humanity struggles to understand the destructive ally they have.Written by
Kenneth Chisholm (email@example.com)
Two major scenes were shot inside the newly rebuilt B.C. Place, in downtown Vancouver, British Columbia. See more »
When Godzilla swims under the bridge, he is able to swim under the boats. When he stands up in the water, it comes to about his knees. The level of water in the second shot would've been too shallow for him to submerge completely. See more »
Dr. Serizawa? Jerry Boyd. I'm warning you, it's a mess. It's just a total mess. Monarch set me in this morning. Took a look around but I told them we need you.
See more »
Played in slow motion the opening credits on the DVD show the blacked-out portions are actually a series of jokes wrapped around the remaining information. See more »
Breakfast in Bed
Written by Donnie Fritts and Eddie Hinton
Performed by Dusty Springfield
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group & Film & TV Licensing / Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises See more »
This isn't the usual kind of disaster action movie. It's a bit more serious and the disaster scenes aren't rushed. It's better to see this on a big screen because some of it is in the dark or under dusky skies.
Effects are good not dizzying or overdone. The assorted monsters move naturally and are relatively realistic. The various locations from Japan to Hawaii are nicely done too though SanFrancisco could have been a bit brighter during the destruction. The Golden Gate and other landmarks aren't that precise but I get that things had to be spread out to accommodate the monsters.
The basic plot isn't needlessly complicated though I got a bit lost in the details with the tactics to kill the monsters and the nuclear link to the monsters. The story about the people is secondary to the monsters which is good as it doesn't intrude.
The main character played by a sensitive looking Aaron Taylor Johnson isn't some superhero type saving the day. He is more a in the thick of things observer which is refreshing for a change. No way out bravado here.
Elisabeth Olsen isn't a drop dead gorgeous love interest, more every day ordinary. Her screen time isn't that much. Bryan Cranston (why didn't he age?) and Juliette Binoche (who did her hair?) also lend solid support.
Ken Watanabe looks right for his part but his diction isn't clear enough for relaying the plot through dialog.
Overall it's a good solid and well made big screen action disaster monster movie that deserves a big screen watch.
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