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Quantum of Solace (2008)

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James Bond descends into mystery as he tries to stop a mysterious organization from eliminating a country's most valuable resource.

Director:

Marc Forster
Popularity
978 ( 206)
Nominated for 2 BAFTA Film Awards. Another 4 wins & 30 nominations. See more awards »

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Cast

Cast overview, first billed only:
Daniel Craig ... James Bond
Olga Kurylenko ... Camille
Mathieu Amalric ... Dominic Greene
Judi Dench ... M
Giancarlo Giannini ... Rene Mathis
Gemma Arterton ... Strawberry Fields
Jeffrey Wright ... Felix Leiter
David Harbour ... Gregg Beam
Jesper Christensen ... Mr. White
Anatole Taubman ... Elvis
Rory Kinnear ... Bill Tanner
Tim Pigott-Smith ... Foreign Secretary
Joaquín Cosio ... General Medrano
Fernando Guillén Cuervo ... Colonel of Police
Jesús Ochoa ... Lt. Orso
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Storyline

Is there solace in revenge? Bond and "M" sniff a shadowy international network of power and corruption reaping billions. As Bond pursues the agents of an assassination attempt on "M," all roads lead to Dominic Greene, a world-renowned developer of green technology. Greene, a nasty piece of work, is intent on securing a barren area of Bolivia in exchange for assisting a strongman stage a coup there. The CIA looks the other way, and only Bond, with help from a retired spy and from a mysterious beauty, stands in Greene's way. "M" wonders if she can trust Bond, or if vengeance possesses him. Beyond that, can anyone drawn to Bond live to tell the tale? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, and some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Release Date:

14 November 2008 (USA) See more »

Also Known As:

Quantum of Solace See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

This film marks the first time since You Only Live Twice (1967) that Bond does not introduce himself with the catchphrase "Bond, James Bond." The line was shot for several different scenes, but was completely cut out, as Forster and the producers found it unnecessary. (From Russia with Love (1963), and Thunderball (1965) also do not use the line) The other staple Bond line stating a "vodka martini, shaken not stirred" does not appear in this movie either. See more »

Goofs

The audience for the Bregenz opera is dressed formally, with the major cast in tuxedos. In reality, patrons who attend the Bregenz opera are dressed casually. See more »

Quotes

[first lines]
Carabinieri on Radio: Station from Patrol 48 - grey Aston Martin followed by a black Alfa Romeo driving towards the quarries. Gunshot fire.
See more »

Crazy Credits

James Bond will return See more »

Alternate Versions

Following an advisory screening of a rough cut the film was pre-cut on BBFC advice before official submission to the Board for a formal cinema classification, with edits made in two scenes in the finale. At this point it was officially passed "uncut" as a 12A. More detailed notes can be found on the BBFC's website. Worldwide versions are this same pre-cut version. See more »

Connections

Featured in Spectre (2015) See more »

Soundtracks

Another Way to Die
Music by Jack White
Lyrics by Jack White
Performed by Jack White and Alicia Keys
See more »

Frequently Asked Questions

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User Reviews

 
Stop the directors! Stop the editors! I want to get off!
17 November 2008 | by BloomerSee all my reviews

This is the first time I ever came out of a Bond film at the cinema thinking, 'I enjoyed almost none of that.' And there was no mystery for me as to why I felt this way. I didn't have to weigh up the other pros and cons (it is not an unsophisticated film) or think far or deeply. I couldn't stand Quantum Of Solace because ninety-five percent of its action sequences are appallingly directed and edited. Endless, wobbly extreme closeups are cut together too rapidly into a meaningless dirge which prohibits you from discerning anything about the nature of the scene.

How many cars are participating in this car chase? Will I be allowed to glimpse anyone's face in this scene other than Bond's? Will I be allowed to glimpse even Bond's face? Which boat is in front? Where is anything in relation to anything else, ever? And just what was that? That blur in front of me for the past half a second, what the hell was it? The answers to these questions respectively throughout Quantum of Solace are, 'I have no clue, no, no, I don't know, I will never know, I don't know, I still don't know.'

I'm tired of reading any defence for the most extreme incarnation of this style of action coverage. It is purposeless obfuscation. It's anti-exciting, annoying and just plain rubbish. Bond films in particular are known for their history of spectacular action and stunts, and if you briefly consider any eighties Bond film, you'll recall that somewhere in it was a long, held shot of something amazing. People fighting on the back of an airborne plane, racing cars through Paris or pursuing each other down a mountain on skis. Compared to any one of those scenes, everything in Quantum is a disgrace, incapable of engendering marvel or wonder.

Perhaps I should try to be less catastrophic about the direction of cinema in general and just apportion blame directly to the guy from the Bourne films whose second unit did this to Quantum, and to Marc Forster, who directed the film, and either sanctioned or did not repel the Bourne-on-steroids content. Call me Mister Insane, but I demand the context, information and sense of place delivered by even the occasional wide shot. To see how Bond kung-fu'd an elevator full of guys would be cool, right? The event happens in this film, but what you actually see is a camera jerking crazily over ten inch wide patches of dark clothing, to the accompaniment of cabbages being walloped on the soundtrack. Imagine if Bruce Lee tried to get away with this crap. And this wasn't a well considered case of indicating what had just happened by offering the impression of it rather than the depiction of it, it was simply a continuation of the house style.

Quantum Of Solace takes anti-illuminating film-making to new, stupid lows!


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