A feature length thriller/horror set in post-apocalyptic London starring Danny Dyer, Tamer Hassan, Simon Phillips, Ronan Vibert, Sebastian Street, Daisy Head, Rita Ramnani and John Mawson. ... See full summary »
Secret Ops agent Marcus is sent to Detroit to take out an arms dealer and the head of the hedge fund that is financing him. His CIA backup has other plans and turns on him and it's a fight to survive in a hospital.
Driven to rage over the tawdry excesses of reality television, a self-appointed cultural crusader kidnaps several very famous nobodies to make his point- but his crimes only generate more tabloid frenzy.
The Perfect wave is a LOVE STORY, with four key pillars, a young mans love for surfing, adventure, a mothers love for her son, a young man falling in love for the first time, Gods love. The... See full summary »
When 3 college kids take a summer job its a chance of a lifetime to bartend at a bar in the middle of a lake! The bar has been around for over a hundred years and is presumed by many locals... See full summary »
Following a meltdown that leads to a suspension, professional golfer Zoe Papadopoulos travels to her grandparents' village in Greece to escape the harsh spotlight of the international ... See full summary »
Michael A. Nickles
Great white sharks bio-engineered to be the size of piranhas with the purpose of living in rich people's exotic aquariums terrorize New York City when they get into the water supply and do what great white sharks do best.
A mysterious gunman, Aman, is the son of a nun who breaks her covenant with God to ensure his survival. This act brings a curse upon Aman - all those that die by his gun will return. Soon, he is hunted by a gang of his undead former victims, led by the vicious Kansa. Aman enlists Fabulos, a new young warrior, to fight by his side.Written by
In the end of the movie when Aman leaves his gun is back in his holster when just moments before the holster was empty. See more »
What breed was your mother?
She was Scottish.
Those Celts have luster. And your father, was he... pale skinned?
Pale? He was invisible.
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Life is short and we do not have much time for gladdening the hearts of those who are traveling the dark way with us. Oh, be swift to love! Make haste to be kind! Journal intime. Henri-Frédéric Amiel (1821 - 1881) See more »
Wesley Snipe's career returns from the dead and feasts on spaghetti using Leone and Joderowsky's silver spoon
Synopsis: In an arid wasteland created by too many lacklustre Hollywood mash-ups, critics think they've put the final stake in Wesley Snipe's career, but surprisingly it returns from the dead and feasts on spaghetti using Leone and Joderowsky's silver spoon.
Verdict: Ambitious, imaginative and visually impressive film that warrants obvious comparison (Leone), but seems more indebted to El Topo's art direction and non-linear, Gothic, psychedelic spaghetti westerns like Matalo! and Django Kill, if You Live, Shoot! Personally, I enjoy this sort of thing, but I can see why many do not; it is brazenly uncommercial and unconventional (a brave choice at this point in Snipe's career decline), and that's part of its appeal.
Several reviews have complained about the incoherent (or completely lacking) plot, but being a fan of spaghetti westerns, I've become accustomed to going along with the film's visuals - like following a good jazz number. I found the plot to be simplistic and classic western: man seeks revenge, flashbacks ensue, he gets revenge and - here's the twist - the people he kills come back from the grave ... so man seeks young apprentice to help him kill them once again.
To some degree, I agree with the negative reviews. I did find it a frustrating and uneven watch. I couldn't help but think that a much better film was possible. Several scenes are cut in a manner that implies not enough footage was shot (made all the more infuriating by the fact that most of the film is extremely well photographed, making excellent use of the Namibian locations). There's also some reliance on rather cheap looking CGI - although the removal of heads and spinal columns was quite impressive. The voice-over narration - always problematic - sounds like a bad advert for men's cologne. The narration is made even worse by two narrators, possibly a necessity stemming from Snipe's three-year prison sentence in 2010 for failure to file income tax returns (Gallowwalkers was shot just before Snipes went to prison).
The music, so important to any spaghetti western, is also disappointing, veering from more appropriate classical to some sort of alt-rock. Lastly, the climatic journey into the "spirit world" looks like it was shot in an underground parking lot. After that, an incongruous animated credit sequence rolls by, suggesting Gallowwalkers wants to position itself with the postmodern, ironic works of Rodriguez and Tarantino. Clearly, it should have remained true to its spaghetti western DNA.
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