And When Did You Last See Your Father? (2007)
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- PG-13
- 1h 32min
- Biography, Drama
- 04 Jul 2008 (USA)
- Movie
The story of a son's conflicting memories of his dying father.
Director:
Writers:
Awards:
- 1 win & 12 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
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Bradley Johnson | ... |
Blake (Child)
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| Jim Broadbent | ... |
Arthur
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| Juliet Stevenson | ... |
Kim
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Alannah Barlow | ... |
Gillian (Child)
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| Christopher Middleton | ... |
Racing Steward
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| Colin Firth | ... |
Blake
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| Gina McKee | ... |
Kathy
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Elliot Avery | ... |
Peter
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Rhiannon Howden | ... |
Sophie
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| Tom Butcher | ... |
Dr. Taggart
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| Claire Skinner | ... |
Gillian
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| Sarah Lancashire | ... |
Beaty
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Naomi Allisstone | ... |
Josie
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| Matthew Beard | ... |
Blake (Teen)
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| Tara Berwin | ... |
Gillian (Teen)
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| Elaine Cassidy | ... |
Sandra
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Richard Standing | ... |
Publican
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Olivia Lindsay | ... |
Josie (Child)
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Tilly Curtis | ... |
Josie (Teen)
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| Justin McDonald | ... |
Steve
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| Carey Mulligan | ... |
Rachel
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Graham Turner | ... |
Undertaker
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| Rest of cast listed alphabetically: | |||
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Robert Angell | ... |
Uncle Sam (uncredited)
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Blake Morrison | ... |
Awards Ceremony Attendee (uncredited)
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Darren Rapier | ... |
Salman Rushdie (uncredited)
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Directed by
| Anand Tucker | ||
Written by
| David Nicholls | ... | (screenplay) |
| Blake Morrison | ... | (book) |
Produced by
| Laurie Borg | ... | co-producer |
| Lizzie Francke | ... | executive producer |
| Elizabeth Karlsen | ... | producer |
| Tessa Ross | ... | executive producer |
| Gary Smith | ... | executive producer |
| Paul White | ... | executive producer |
| Kate Wilson | ... | executive producer |
| Stephen Woolley | ... | producer |
Music by
| Barrington Pheloung | ||
Cinematography by
| Howard Atherton | ... | director of photography |
Editing by
| Trevor Waite | ||
Editorial Department
| Matthew Benns | ... | digital intermediate data manager |
| Nina Bradley | ... | assistant editor |
| Paul Ensby | ... | digital intermediate colorist |
| Nikki Groves | ... | digital intermediate project manager |
| Sacha Guttenstein | ... | additional post-production |
| Jonathan Mann | ... | digital despot |
| Vikki Mickel | ... | head of post-production: Future Production Services |
| Steve O'Leary | ... | digital despot |
| Ben Setterfield | ... | digital scanning |
| Dominic Thomson | ... | digital editor (as Dom Thomson) |
| Simon Wilkinson | ... | digital intermediate consultant |
Casting By
| Priscilla John | ||
Production Design by
| Alice Normington | ||
Art Direction by
| Lynne Huitson | ||
Set Decoration by
| Barbara Herman-Skelding | ||
Costume Design by
| Caroline Harris | ||
Makeup Department
| Christine Blundell | ... | hair designer / makeup designer |
| Chloe Meddings | ... | trainee makeup assistant |
| Matthew Smith | ... | prosthetics |
| Lesa Warrener | ... | hair stylist / makeup artist |
| Julius Goosen | ... | makeup artist (uncredited) |
| Barbara Taylor | ... | crowd hair stylist (uncredited) / crowd makeup artist (uncredited) |
Production Management
| Denise Bridgeman | ... | production manager: Intandem Films |
| Polly Duval | ... | post-production supervisor |
| Sasha Dein Fugazzola | ... | production manager: Intandem Films |
| Tracey Josephs | ... | head of production: Film4 |
| JJ Lousberg | ... | production executive: UK Film Council |
| Fiona Morham | ... | head of production: UK Film Council |
| Gerardine O'Flynn | ... | production manager: Film4 |
Second Unit Director or Assistant Director
| James Chasey | ... | second second assistant director |
| Ben Howarth | ... | first assistant director |
| Samantha McGrady | ... | second assistant director (as Samantha Smith) |
| Catherine Tyler | ... | third assistant director |
Art Department
| David Broadfoot | ... | stand-by rigger |
| Rob Brown | ... | construction manager: studio |
| Leigh Bryant | ... | dressing props |
| Alfie Burgess | ... | stand-by props |
| Jamie Davies-Evans | ... | painter |
| Hugh Delancy | ... | stand-by carpenter |
| Billy Edwards | ... | chargehand / stand-by props |
| Lucy Eyre | ... | set decorator assistant |
| Annie Gilhooly | ... | buyer |
| John Moore | ... | dressing props |
| Ben Munro | ... | stand-by art director |
| Dominic Pike | ... | construction manager: locations |
| Mary Pat Sheahan | ... | stand-by painter (as Mary-Pat Sheahan) |
| Fabrice Spelta | ... | graphic artist |
| Terry Stinson | ... | dressing props |
| Andy Tomlinson | ... | assistant art director |
| Stuart Watson | ... | construction manager: studio |
| Terry Wood | ... | props master |
| Monica Black | ... | art department (uncredited) |
| Philip Clark | ... | picture researcher (uncredited) |
| Robert J. Dugdale | ... | scenic artist (uncredited) |
Sound Department
| Lucy Barnes | ... | foley artist |
| Paula Boram | ... | foley artist |
| James Clark | ... | assistant adr mixer |
| James Feltham | ... | re-recording mixer |
| Michael Fentum | ... | sound effects editor |
| Nick Foley | ... | adr mixer (as Nicholas Foley) |
| Jim Greenhorn | ... | sound mixer |
| Nigel Heath | ... | re-recording mixer |
| Jeremy Lishman | ... | boom operator |
| Dan Morgan | ... | supervising sound editor |
| Steven Parker | ... | assistant sound re-recording mixer |
| Blair Slater | ... | foley editor |
| Ruth Sullivan | ... | foley artist |
| Ted Swanscott | ... | foley re-recording mixer |
Special Effects by
| Ian Rowley | ... | special effects supervisor |
| Rob Rowley | ... | special effects technician |
Visual Effects by
| Lucy Ainsworth-Taylor | ... | executive producer: MPC |
| Tom Debenham | ... | visual effects supervisor: One of Us |
| Chaya Feiner | ... | visual effects coordinator: One of Us |
| Ian Mackinnon | ... | animator: One of Us |
| Dominic Parker | ... | visual effects supervisor: One of Us |
| Rachael Penfold | ... | visual effects producer: One of Us |
| Simon Wilkinson | ... | visual effects |
| Robert A. Willis | ... | visual effects coordinator: MPC (as Rob Willis) |
| Charlotte Gray | ... | digital restoration (uncredited) |
Stunts
| Jim Dowdall | ... | stunt coordinator |
Camera and Electrical Department
| Russell Allen | ... | camera equipment: Arri Media |
| Trevor Brooker | ... | director of photography: "b" camera |
| Michael Chambers | ... | gaffer (as Mike Chambers) |
| Ricky Churchouse | ... | electrician |
| Barny Crocker | ... | second assistant camera |
| Eddie Dias | ... | lighting equipment: AFM |
| Lee Godfrey | ... | assistant grip |
| Stuart Godfrey | ... | key grip |
| Stuart Holt | ... | electrician |
| Alex Howe | ... | first assistant camera: "a" camera |
| Giles Keyte | ... | still photographer |
| John King | ... | electrician |
| Brian Miller | ... | electrician |
| John O'Donoghue | ... | best boy |
| Steve O'Donoghue | ... | best boy (as Stephen O'Donoghue) |
| Chris Plevin | ... | camera operator |
| Sweta Rajyaguru | ... | trainee: ew media |
| Matt Ward | ... | camera trainee / video assist |
| Paul 'Welcie' Wellstead | ... | rigging electrician (as Paul Wellstead) |
| Tim Battersby | ... | first assistant camera: second unit (uncredited) |
| Tim Dean | ... | libra head technician (uncredited) |
| Rupert Hornstein | ... | assistant camera: second unit (uncredited) |
| Gavin MacArthur | ... | camera loader: dailies (uncredited) |
| Phil Whittaker | ... | grip: second unit (uncredited) |
Casting Department
| Faith Allbeson | ... | casting associate |
Costume and Wardrobe Department
| Yvonne Duckett | ... | stand-by costumer |
| Vidya Krishnamurthy | ... | stand-by costumer |
| Marco Scotti | ... | costume supervisor |
Location Management
| Tony Clarkson | ... | location manager |
| Dan Hodgett | ... | locations executive: EM Media |
| Barry Jones | ... | location security |
| Michelle Pianca | ... | assistant location manager |
| Nic Smith | ... | locations executive: EM Media |
| Emma Yeomans | ... | assistant location manager: Derby |
| Vicky Chapman | ... | location assistant (uncredited) |
Music Department
| Christoph Bauschinger | ... | music assistant |
| Robin Baynton | ... | assistant: Stephen McLaughlin |
| Andy Brown | ... | orchestra contractor |
| Caroline Dale | ... | musician: cello soloist |
| Karen Elliott | ... | music supervisor: Hothouse Music |
| Sally Heath | ... | musician: piano soloist |
| David Juritz | ... | musician: violin soloist |
| Janis Kelly | ... | musician: soprano soloist |
| Richard Lancaster | ... | assistant: Stephen McLaughlin |
| The London Metropolitan Orchestra | ... | musicians / performer: London Metropolitan Orchestra |
| Stephen McLaughlin | ... | music engineer / music mixer / music recordist |
| Anne Miller | ... | music publisher |
| Barrington Pheloung | ... | conductor / music producer |
| Heather Pheloung | ... | music assistant |
| Matthew Slater | ... | score preparation |
| Amanda Street | ... | composer agent / score supervisor: DNA Music |
| Steve Mair | ... | musician: double bass (uncredited) |
| Jonathan Snowden | ... | musician: flute (uncredited) |
Script and Continuity Department
| Kim Armitage | ... | script supervisor |
Transportation Department
| David Broadfoot | ... | driver: facilities |
| Kevin Collyer | ... | driver: facilities |
| Andy Dixon | ... | facilities manager |
| Allison Drury | ... | transport captain |
| Michael Geary | ... | action vehicle handler: Motorhouse |
| Mike Gilbert | ... | driver: facilities |
| Pete Newman | ... | unit driver (as Peter Newman) |
| Peter Ogunsalu | ... | unit driver |
| John Ott | ... | driver: facilities |
| Richard Paxton | ... | driver: facilities |
| Will Petty | ... | driver: rushes |
| D. Smith | ... | driver: camera truck |
| Mick Stanton | ... | unit driver |
| Bohdan Stoklasa | ... | driver: facilities |
| Richard Watkins | ... | driver: facilities / facilities captain |
| Joseph Wood | ... | driver: facilities |
Additional Crew
| Elisa Alvares | ... | senior executive production services: Future Production Services |
| Carola Ash | ... | business development manager: Future Production Services |
| Andrew Brown | ... | sales and marketing director: Intandem Films |
| Sue Bruce-Smith | ... | head of commercial development: Film4 |
| Keith Bryant | ... | laboratory contact: Technicolor Creative Services |
| Katherine Butler | ... | head of development: Film4 |
| Sally Caplan | ... | head of premiere fund: UK Film Council |
| Bruno Cassoni | ... | stand-in |
| Alice Clough | ... | business affairs: Future Production Services |
| Tim Curtis | ... | legal services: Film4 |
| Robin Davies | ... | production runner: Number 9 Films |
| Joao de Sousa | ... | assistant to director |
| Karl Dye | ... | gap financing: Royal Bank of Scotland |
| Will Evans | ... | head of business affairs: UK Film Council |
| Elizabeth Every | ... | tutor (as Liz Every) |
| Ross Ferguson | ... | Assistant to Elizabeth Karlsen |
| Paul Grindey | ... | head of business affairs: Film4 |
| Martin Haines | ... | legal services: Number 9 Films, Davenport Lyons |
| Denise Hanrahan | ... | assistant production coordinator |
| Tarn Harper | ... | post-production accountant |
| Barry Hatsell | ... | rushes contact |
| Andrew Hildebrand | ... | managing director: Future Production Services |
| Dan Hillsdon | ... | assistant accountant |
| Sally Hodgson | ... | communications executive: EM Media |
| Vince Holden | ... | head of production finance: UK Film Council |
| Christine Howard | ... | head of business affairs: Intandem Films |
| Billy Hurman | ... | sales and marketing director: Intandem Films |
| Steve Joberns | ... | auditor: Shipleys |
| Annabel Kennedy | ... | script development executive: Number 9 Fiklms |
| Emily Lappin | ... | head of communications: EM Media |
| Joanna Laurie | ... | assistant: Stephen Woolley |
| Anita Lavitza | ... | caterer: Limelight Catering |
| Kate Lawrence | ... | script development executive: Number 9 Films |
| JJ Lousberg | ... | production executive: UK Film Council |
| Stacy Mann | ... | on-set publicist |
| John Morgan | ... | accountant: Number 9 Films |
| Sarah Nichols | ... | production accountant (as Sarah Lucraft) |
| Kevin O'Shea | ... | insurance: AON/Albert G Ruben |
| David Z. Obadiah | ... | title sequence producer |
| Margaret Parvin | ... | legal services: Number 9 Films, Davenport Lyons |
| Chris Randall | ... | caterer |
| Luke Randolph | ... | completion guarantor: International Film Guarantors / completion guarantor: for International Film Guarantors |
| Helen Revington | ... | unit nurse |
| Maria Robbins | ... | catering manager |
| Mathieu Robinet | ... | media finance coordinator: Future Production Services (as Matthieu Robinet) |
| Jan Haydn Rowles | ... | dialogue coach |
| Kiran Shah | ... | double |
| Michael Simkins | ... | legal services: Film4 |
| Shellie Smith | ... | completion guarantor: International Film Guarantors |
| Andrew Southey | ... | chef |
| Deryn Stafford | ... | production coordinator |
| Delyse Stewart | ... | tutor: Aaron Johnson |
| Carly Taverner | ... | on-set runner / stand-in |
| Maya Toone | ... | production runner |
| Chris Valler | ... | caterer |
| Helen Varty | ... | Assistant to Tessa Ross, Film4 |
| Erick Ausaru Kwashie | ... | production assistant (uncredited) |
| Philip Ball | ... | stand-in (uncredited) |
| Roger Phillips | ... | titles (uncredited) |
Thanks
| Sharon Maguire | ... | thanks |
| Augie Tucker | ... | thanks |
Production Companies
- Film4 (presents)
- UK Film Council (presents)
- EM Media (presents)
- Intandem Films (presents)
- Number 9 Films (co-production)
- Father Features (co-production)
- Audley Films (in association with)
- Comptom Investments (in association with)
- Tiger Aspect Productions (with the assistance of)
- Bord Scannán na hÉireann / The Irish Film Board (with the assistance of)
- European Regional Development Fund (part funded by)
Distributors
- A-Film Distribution (2008) (Netherlands) (theatrical)
- Buena Vista International (2007) (United Kingdom) (theatrical)
- Icon Film Distribution Australia (2007) (Australia) (theatrical)
- Mongrel Media (2007) (Canada) (theatrical)
- Sony Pictures Classics (2007) (United States) (theatrical)
- Top Film (2008) (Russia) (theatrical)
- Warner-Lusomundo (2007) (Portugal) (theatrical)
- A-Film Home Entertainment (2009) (Netherlands) (DVD) (retail)
- Falcon Films (2008) (Lebanon) (Middle East)
- MG Film (2007) (Croatia)
- Movie Bank (2009) (Netherlands) (DVD) (rental)
- Sony Pictures Home Entertainment (2008) (Canada) (DVD)
- Sony Pictures Home Entertainment (2008) (United States) (DVD)
- Sony Pictures Home Entertainment (2009) (Argentina) (DVD)
- Sony Pictures Home Entertainment (2009) (Brazil) (DVD)
- Sony Pictures Releasing (2009) (Argentina)
Special Effects
- One Of Us (visual effects)
- Moving Picture Company (MPC)
Other Companies
- AFM Lighting (lighting)
- AON/Albert G. Ruben Insurance Services (insurance)
- ARRI Media (camera equipment provided by)
- Abbey Road Studios (music recorded at)
- Access Bookings (accommodation)
- All England Caterers (catering)
- BBC Costume and Wigs (costumes supplied by)
- Camera Revolution (libra technician)
- Casting Collective (extras casting)
- DNA Music (score coordination)
- DNA Music (soundtrack coordination and organization)
- Davenport Lyons (legal services: Number 9 Films)
- Eurosafety (DDA Fire) (health and safety)
- Fatts (post-production script services)
- Film4 (development)
- Fintage CAM (collection account management)
- Freud Communications (unit publicity)
- Future Films Production Services (production services provided by)
- Hackenbacker Audio Post Production (re-recorded at)
- Hothouse Music (music supervision)
- International Film Guarantors (completion guaranty)
- Kodak (negative stock)
- Royal Bank of Scotland (gap financing)
- Shipleys (auditing)
- Silva Screen Records (soundtrack)
- Technicolor (digital intermediate)
- Technicolor (release printing)
- VooDooDog (titles)
Storyline
| Plot Summary |
The writer Blake Morrison has a non-resolved relationship with his bragger and wolf father Arthur Morrison. However, when Arthur is diagnosed with a terminal intestine cancer, Blake leaves his wife and children and travel to the village where he spent his childhood and adolescence to help his mother and his sister to take care of Arthur along his last days. The location brings recollections of his problematic relationship with his father. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
| Plot Keywords | |
| Taglines | A parent and a child. The past and the present. Memories and secrets. Can you know someone for a lifetime.... and not know them at all? The life of a father. Through the journey of a son. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $8,000,000 (estimated) |
| Opening Weekend United Kingdom | GBP133,347, 07 Oct 2007 |
Did You Know?
| Trivia | Matthew Beard wore brown coloured contact lenses in order to look more like Colin Firth. See more » |
| Movie Connections | Featured in Starfilm (2017). See more » |
| Soundtracks | Cold Cold Feeling See more » |
| Quotes |
Sandra:
You should never ever wish anyone dead. What if it became true? See more » |