In this tour de force filmed lecture, Slavoj Zizek lucidly and compellingly reflects on belief - which takes him from Father Christmas to democracy - and on the various forms that belief ... See full summary »
Examined Life pulls philosophy out of academic journals and classrooms, and puts it back on the streets. In Examined Life, filmmaker Astra Taylor accompanies some of today's most ... See full summary »
Kwame Anthony Appiah,
The film bears witness to German artist Anselm Kiefer's alchemical creative processes and renders in film, as a cinematic journey, the personal universe he has built at his hill-studio ... See full summary »
BEING IN THE WORLD takes us on a journey around the world to meet philosophers influenced by the thought of Martin Heidegger, as well as experts in the fields of sports, music, craft, and ... See full summary »
A mourning tree, dancing sprouts, the language of clouds, ghosts, stories and seeds. This is an intimate mosaic of the last harvest of a Mexican family, before their small plot of land falls into abandonment.
Tania Hernandez Velasco
Abel Velasco Calixto,
Yolanda Velasco Juárez,
Abel Velasco Orea
THE PERVERT'S GUIDE TO CINEMA takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Zizek, acclaimed philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Zizek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves. Whether he is untangling the famously baffling films of David Lynch, or overturning everything you thought you knew about Hitchcock, Zizek illuminates the screen with his passion, intellect, and unfailing sense of humour. THE PERVERT'S GUIDE TO CINEMA cuts its cloth from the very world of the movies it discusses; by shooting at original locations and from replica sets it creates the uncanny illusion that Zizek is speaking from 'within' the films themselves. Together the three parts construct a compelling dialectic of ideas. Described by The Times in London as 'the woman helming this Freudian inquest,' director ...Written by
P Guide Ltd.
The person who wrote the review "enough with the sweating and spitting already" has no grasp of what cultural, literary, or psycho- critique is. He dismisses Zizek's interpretations because they don't seem "in line" with what the director originally intended. So What? The importance of a director's (or author's) intention is not important in critical theory. This is known as the author's "Intentional Fallacy" and should be avoided.
http://en.wikipedia.org/wiki/Intentional_fallacy A text or movie CAN be analyzed through a number of theories, many of which disagree with one another, as well as completely ignore the author's intention. This is the most fundamental idea of Critical Theory.
Because of this, whoever wrote that wall of text wasted a lot of time and effort on insulting Zizek. In reality, anyone who studies theory would immediately discredit this guys opinion (I suggest you should too) as it is completely off point.
That being said... If you are at all interested in Freudian, Laconian, or Kristevian discourse, this movie is a must. It connects these theories with popular film, making them much more palpable and enjoyable than simply reading or thinking about them.
10 of 16 people found this review helpful.
Was this review helpful to you?
| Report this