A confused religious girl tries to deny her feelings for a female friend who's in love with her. This causes her suppressed subconsciously-controlled psychokinetic powers to reemerge with devastating results.
Karl Ove Knausgaard, renowned Norweigian novelist, is asked to curate an exhibition of compatriot Edvard Munch's work. This documentary follows Knausgaard's process as he opines about Norway, art, aging and more.
Karl Ove Knausgård
Forsaken in a new Oslo apartment, a frail blind woman battles to come to terms with her condition, as she slowly retracts into an elaborate fantasy bubble. Are her stories fanning her suspicions, or is this what total blindness looks like?
Ellen Dorrit Petersen,
Hawaii, Oslo is the story of a handful of people who cross each other's path without necessarily knowing each other, during the hottest day of the year, in Oslo. We follow Frode and Milla. ... See full summary »
Trond Espen Seim,
Jan Gunnar Røise,
Evy Kasseth Røsten
Why would someone like Leyla go to a high school reunion dinner? And take an overnight train to get there. After all, she hasn't been to a single one for the last 25 years - What is Canan, ... See full summary »
When his mother, who has sheltered him his entire 40 years, dies, Elling, a sensitive, would-be poet, is sent to live in a state institution. There he meets Kjell Bjarne, a gentle giant and... See full summary »
Per Christian Ellefsen,
Marit Pia Jacobsen
This film is intellectual without being arrogant, hip and stylish without being pretentious, and brimming with youth and energy without being juvenile.
On a simplistic level, the film can be described as a coming of age story about two Oslo twenty-somethings who are writers. The scenes when they are hanging out with their friends contain witty, realistic dialogue and interactions. But this is a very rich, complex film. A unique, fresh narrative structure, depth of emotion, brilliant character development, beautiful photography, and terrific acting- this is really a film that has nothing simplistic about it. At times incisively funny, at other times angst ridden and sad, the film takes the viewer through the gamut of emotions experienced by the characters.
I didn't always know where the story or characters were going (I don't think the characters themselves did), but the director/writer was always in charge and confidently in control of every frame, yet not manipulative; I was a very satisfied viewer when the credits rolled and loud applause broke out in the audience at the Museum of Modern Art in New York City.
Keep your eye on Joachim Trier- he's going places.
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