When a body is found on the bridge between Denmark and Sweden, right on the border, Danish inspector Martin Rohde and Swedish Saga Norén have to share jurisdiction and work together to find the killer.
A seemingly cold but very passionate policewoman goes head to head with a seemingly passionate father who is in fact a cold serialist in this procedural out of Belfast. The only thing they share is their common complexity.
The brutal murder of a young girl launches an extended police investigation. Detective Sarah Lund is supposed to leave for a new life in Sweden, but can't bring herself to leave the case behind. The girl's parents and friends struggle to cope with their loss. Troels Hartmann is campaigning to be mayor of Copenhagen, but struggles when links are revealed between city hall and the murder. Over a time span of twenty days, suspect upon suspect is sought out as violence and political pressures cast their shadows over the hunt for the killer. Two more seasons follow about a series of killings of soldiers and the abduction of an industrial magnate's daughter.Written by
Peter Brandt Nielsen
Best of the 3 seasons: a combination of highly charged politics and a murder thriller
This is the third and final season of Forbrydelsen (The Killing). It combines all the best elements of the Nordics thriller tradition: a very good written storyline, superb acting and very good art direction and filming. The main character - Sara Lund - has some way to get back to her rather unorthodox way of policing but gets in her stride after several episodes. The story is an intriguing triangle of murder, politics and business and reveals several corrupting involvements that we so-called sophisticated Europeans (I'm Dutch) think mainly exist in the USA etc.
Highly commendable, both entertaining and something that makes you think about the world at the same time.
37 of 44 people found this review helpful.
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