Everything that could go wrong did go wrong: War, Terrorism, Natural Disasters. Evacuees were ushered from the cities to refugee camps in the surrounding counties. In-fighting, famine and ...
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Sex, drugs and suicidal tendencies... HAPPY NEW YEAR! This ensemble driven dramedy revolves around an eccentric New Years Eve Party, where the Party-Goers are oblivious to the true atmosphere of pain amid the celebration of "life".
Four friends decide to spend their Spring Break at a ski resort. But, on their way back, they decide to take a short-cut. Off the road and now buried under over a ton of snow, they begin to realize they don't really know each other.
Twelve years ago, a plague swept through, wiping out most of the population; in San Francisco, only 186 people remain. Two of them use jury-rigged batteries to power a camera and make a ... See full summary »
The eight year old boy Jesús has been living in a crumbling underground facility since he was born with eight survivors of an apocalyptic war: the leader Maria and her lover Pablo; the gays... See full summary »
A haunted soldier just back from war and a boy who has never known peace in his home life embark on a life-changing journey as they become unlikely friends -- and one another's last shot at redemption.
Tristan Lake Leabu,
Laura San Giacomo
Everything that could go wrong did go wrong: War, Terrorism, Natural Disasters. Evacuees were ushered from the cities to refugee camps in the surrounding counties. In-fighting, famine and disease took their toll on the survivors. Now, twenty years after the bombs fell and the plagues ran their course the few that remain live in fear and without hope. Azura Skye stars as Sarah in this Post-Apocalyptic Fairy Tale about a young woman's journey to deliver the first child born in 15 Years. Sarah's refusal to give up is inspired by a lone voice on her radio. Michael broadcasts dim and distant messages of hope mixed with the music he scavenges from the dead. Forced from her basement home by drought and relentlessly pursued by those who want her baby, Sarah crosses paths with Michael in a cavernous, underground refuge of disparate survivors. It is from Three Caves that Michael and Sarah will embark on a journey beyond the boundaries of the Southern Corridor and into the unknown future.Written by
The original/working title of the film ("Like Moles, Like Rats") comes from a line in the Thornton Wilder play, The Skin of Our Teeth. See more »
It is not enough to know that the world has ended. For there is more to the story. And soon it begins. Chaos drove us from the cities. Fear kept us away. Long after the bombs had fallen, after plagues and famine had run their course, we few that remain line in fear, and without hope. But this is a new place. A new time. Lost. Soon a time will come when we no longer live in caves. Like moles. Like rats.
20 YEAR AFTER
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I like post-apocalyptic fiction so I thought this movie would be at least marginally entertaining. Things start well but the arrival of the jolly jester was when the alarm bells started ringing for me. All of a sudden the whole story turns limper than a puppets handshake and the violin rises to an annoying pitch and stays there till the credits.
My main problem with this film is that while it presents you with some interesting imagery the story has all the depth and meaning of a dirty fart. I still can't get over that pathetic jester-doctor character, was that supposed to be heart warming? Were we supposed to be spellbound by his juggling, unexplained magical antics and wise words? Because I wasn't, I was just irritated to realise that the guy who designed the cover for this movie had more imagination than the people making it.
Also, and this is a cheap shot, that woman with the ginger hair (Diane Salinger) looks like The Predator with his helmet off.
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