| Cast overview, first billed only: | |||
| Nadine Labaki | ... | Layale | |
| Yasmine Al Massri | ... | Nisrine (as Yasmine Al Masri) | |
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Joanna Moukarzel | ... | Rima |
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Gisèle Aouad | ... | Jamale |
| Adel Karam | ... | Youssef | |
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Sihame Haddad | ... | Rose (as Siham Haddad) |
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Aziza Semaan | ... | Lili |
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Fatmeh Safa | ... | Siham (as Fatme Safa) |
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Dimitri Staneofski | ... | Charles (as Dimitri Stancofsky) |
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Fadia Stella | ... | Christine |
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Ismaïl Antar | ... | Bassam |
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Cinderella Al Hajj | ... | Cliente rousse |
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Daed Al Khoury | ... | Samia |
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Farida Saleba | ... | Cliente salon (as Farida Saliba) |
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Jocelyne El Khoury | ... | Cliente salon |
Six women in Beirut seek love, marriage, and companionship and find duty, friendship, and possibility. Four work at a salon: Nisrine, engaged to Bassam, with a secret she shares with her co-workers; Jamale, a divorced mother of teens, a part-time model, fearing the encroachment of time; Rima, always in pants, attracted to Siham, a client who smiles back; Layale, in love with a married man, willing to drop everything at a honk of his horn. There's also Rose, a middle-aged seamstress, who cares for Lili, old and facing dementia. Rose has a suitor; Layale has an admirer on the police force. Is delight a possibility? Is caramel a sweet or an instrument of pain? Written by <jhailey@hotmail.com>
Without reading any summary or comment on the movie I just went to see it. I didn't know it was in Lebanese, I was attracted by the promising name of Caramel.
What I saw was a potpourri of emotions and languages, I don't speak Lebanese at all, but it was funny to recognize all the different influences in their language, due to the colonialism. The protagonist and director is a breath-taking and very convincing actress, I had no doubt all the ladies of the cast were good friends and would have hung out all their lives. The storyline is kept simple and clear so even if you don't follow the subtitles, you easily understand the movie. I don't like to compare it with any other movie I saw, but speaking of colors and emotions it reminded me of Almodovar's movies, dedicated to the women in his life. Even though I'd have preferred to see more of the name giving caramel, for about two hours I was transported into the oriental world of spices, taxi drivers, aunties, grandmas, uncles, nieces', sisters and brothers, living, laughing and mainly eating together. The movie combines a very traditional Lebanon with very modern questions, emancipated women and not to forget love. Leaving the cinema I felt loved and happy, I strongly recommend it!