Caramel

Caramel is one of the rare contemporary films that shows restraint in its use of common language and in-your-face eroticism. I can't remember the last time I watched a movie that dealt with adult topics in such creative ways.

In contrast to most other films of this kind, we the audience are treated as intelligent, thinking people. We are asked to examine women's issues of sex, relationships, and aging without being subjected to the graphic scenes and gratuitous language that are prevalent in today's film-making. There isn't even an instance of "potty" humor, although one particularly touching scene takes place in a bathroom. Nevertheless, humor abounds in the form of terrific writing and amazingly good acting by these Arabic actresses.

Naturally, movies of this type do not have mass appeal in US culture. But for cinema buffs who appreciate the creative nature of screen writing, Caramel should not be missed. Guys, you can earn points by taking your date to this one, and there is a bevy of beauties for us to enjoy. And moms, don't miss the chance to take your adolescent daughters to Caramel... It will spark conversations about love, relationships, adultery, lesbianism, menopause, and more... All without being offensive.

This is one of the few moments of my life where I could enjoy a movie without reading sub titles. This time it is not Russian, not Swedish, not Danish, not German and not Spanish. It is an art movie in my native Lebanese language.

The lovely acting of all the team, the superb cinematography of Yves Sehnaoui and the charming music of Khaled Mouzanar all joined to make a movie to remember.

This is a movie about woman's inner being; men are in the background and the women's disorders are all exposed in a very elegant way. Uncertainty of life, sexuality, marriage, mid life crisis and elderly all put together in a colorful plot of innocent people.

In Caramel, we also see Christian and Muslim women living together, working together, truly loving and supporing each other. Thanks to Nadine Labaki for this message during a period of secterian conflicts.

The Last scene of the 2 ladies holding hands is a painting. I can't wait to get it on DVD. This will sit at the heart of my art movie collection.

Nadine Labaki: perhaps not a familiar name, not yet. You are certain to hear more of her, well beyond this report about her first film, "Caramel." The young Lebanese beauty is not only the star of this heartwarming and unusual movie, but also its director and co-writer.

Unusual? It sure is, a contemporary film taking place in Beirut without any reference to the wars tearing the city apart for decades now. (There is a parallel here with another excellent film making its U.S. appearance, "The Band's Visit," of an Egyptian-Israeli encounter set deliberately outside the political context.) Unusual? Amazingly so when you realize, having witnessed an extraordinary ensemble performance, that all but two of the cast members have no acting experience.It's all great acting by non-actors, and you wouldn't know it without a press release.

"Sex in the City" with brains, realism, and without affectation, "Caramel" tells the story of five women in a Beirut beauty salon, their lives and dreams. The tone is simple, intimate, the characters are different from each other, but all likable and real. "Caramel" is a movie to enjoy; beyond its vitality and good humor, it offers the viewer the acquaintance of everyday, believable people you can care about.

The title refers to the pliant caramelized sugar used for hair removal, material that can be used for good (removing hair) or ill (inflicting pain on a lover's wife, who ends up in the wrong salon). It is something "sweet and salt, sugary and sour, of the delicious sugar that can burn and hurt you," Labaki has said.

The director - whose theme and work are reminiscent of Pedro Almodovar's early films - is Layale, the owner of the salon, a woman in her early 30s, who "should be married" by now, but instead, she carries on a passionate (for her) affair with a married policeman. Layale is Christian, her best friend working in the salon, Nisrine, is a Moslem woman of 28, about to get married, but she is facing a daunting obstacle. The role is played memorably by one of the film's many amateur actors, Yasmine Al Masri.

Also in the salon, Rima, a 24-year-old tomboy (played by Joanna Moukarzel, in real life "business manager with an electrical appliance company"!), who is quietly struggling with her growing interest in women. It is one of the many glories of "Caramel" how her friends literally look the other way when Rima - very much in love - cuts the hair of a beautiful stranger (Siham Fatmeh Safa, who should be a model and an actress, but is neither).

Among the many fascinating characters: Jamale, a customer who virtually lives in the salon, a woman in denial of and battling her age; Lili, a crazy aunt, who collects parking tickets from windshields; and the men in the cast - relegated to supporting roles, but not belittled or presented in a hostile manner. It's not so much a "women's picture" as a film for and about people.

With splendid cinematography by Yves Sehnaoui, and appealing music by Khaled Mouzanar, "Caramel" completed production work in 2006, one week before the most recent bombing of Beirut began.

God Bless DVD, Netflix and Nadine Labaki,I would have never seen a Lebanese movie. I have no idea where Lebanon is and frankly I don't care. Labaki is to Lebanon, what Sofia Loren is to Italy. Sofia Loren once said "I owe it all to spaghetti" I wonder what Lebaki owes it to! After you watch a movie there are some lingering moments of a face that captures your imagination-Labaki is one such face. The intensity is sometimes unnerving. I also find out that she was the director of the movie-that can explain certain scenes. She is rare combination of beauty and brains or talent as it translates here. All the scenes are open ended-that leaves lot to the imagination as opposed to the American Cinema-an artistic endeavor reminiscent of Italian Cinema-the likes of Fellini, Vittoria De Seca etc. The cinematography is captivating. This movie has made me to get out my little pond and take off my blinders for good.

A wonderful beautiful surprisingly well directed movie. It took me back to the place where I grew up, to the people I knew, to the narrow streets I hated then, and that I miss so much now. I had forgotten "la douceur de vivre" in that part of the world, how loving and supportive Lebanese people can be, regardless of their religion, background or social status. The stories of these 4 women is told with such simplicity, but yet a lot of tenderness, understanding, and forgiveness. The camera was their friend, exploring their most intimate feelings, joys and pains, but very protective too. Protective of their privacy, of their feelings, and their sadness. These 96 minutes of movie, brushed up all the callouses that had built up around my heart, and made it vibrate again, and made it dance to the rhythm of this beautiful city Beirut. Thank you Nadine for this wonderful gift, and thank you Khaled Mouzannar for making my heart and soul dance. Nicole Mishalany, Los Angeles, CA