When a group of strangers at a dusty roadside diner come under attack by demonic forces, their only chance for survival lies with an archangel named Michael, who informs a pregnant waitress that her unborn child is humanity's last hope.
Charles S. Dutton
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
As his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
Left for dead on a sun-scorched planet, Riddick finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by a man from Riddick's past.
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
PRIEST, a post-apocalyptic sci-fi thriller, is set in an alternate world -- one ravaged by centuries of war between man and vampires. The story revolves around a legendary Warrior Priest from the last Vampire War who now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on a quest to find her before they turn her into one of them. He is joined on his crusade by his niece's boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills.Written by
The animated opening was more of a compromise solution because the studios had no interest in going over budget for a live-action version of the century-long battle of humans against vampires, so the scene was done by animation which was much cheaper to realize. See more »
When Priest readies himself to leave the city, his hands change from being wrapped to unwrapped then back to wrapped when he gets his motorcycle. See more »
[after Priest explained that Hicks should anticipate a vampire's move, he had to learn how to see their movement from Point A to Point B. And Hicks was apparently learning because he just, finally, shot a vampire]
Point A? Meet point fucking B.
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I loved Priest. It was a visually stunning piece of art, very beautiful even in the post-apocalyptic world in which it was set. Each scene was thoughtfully composed and really pulled you into the film... even without that annoying 3D. (I saw it in 2D and completely loved every second.) I've never read the comics so I didn't have any preconceived notions about what I'd be getting into. The film's composition, pace, story, and overall look are what drew me in, the characters kept me there. Sure there were a few "surprises" that weren't really surprises, but that's only because I don't think they were intended to be surprises to the audience, only to other characters.
Karl Urban is awesome (all the time, not just in Priest ;)) and Paul Bettany is a quiet, understated hero in the title role. Even the music was gorgeous.
Highly recommended. =D
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