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Priest (2011)

PG-13 | | Action, Horror, Thriller | 13 May 2011 (USA)
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A priest disobeys church law to track down the vampires who kidnapped his niece.

Director:

Scott Stewart

Writers:

Cory Goodman, Min-Woo Hyung (graphic novel series "Priest")
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3,851 ( 361)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Paul Bettany ... Priest
Karl Urban ... Black Hat
Cam Gigandet ... Hicks
Maggie Q ... Priestess
Lily Collins ... Lucy Pace
Brad Dourif ... Salesman
Stephen Moyer ... Owen Pace
Christopher Plummer ... Monsignor Orelas
Alan Dale ... Monsignor Chamberlain
Mädchen Amick ... Shannon Pace
Jacob Hopkins ... Boy
Dave Florek Dave Florek ... Crocker
Joel Polinsky Joel Polinsky ... Dr. Tomlin
Josh Wingate ... Familiar
Jon Braver ... Familiar
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Storyline

PRIEST, a post-apocalyptic action thriller, is set in an alternative world -- one ravaged by centuries of war between man and vampires. The story revolves around a legendary Warrior Priest from the last Vampire War who now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on a quest to find her before they turn her into one of them. He is joined on his crusade by his niece's boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills. Written by Screen Gems

Plot Summary | Plot Synopsis

Taglines:

This war will never end. His mission is just the beginning. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, disturbing images and brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

13 May 2011 (USA) See more »

Also Known As:

Priest See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$14,953,664, 15 May 2011

Gross USA:

$29,137,000

Cumulative Worldwide Gross:

$78,309,505
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The animated opening was a compromise solution, since the studios had no interest in going over budget for a live-action version of the centuries-long battle of humans against vampires, so the scene was done by animation which was much cheaper to realize. See more »

Goofs

When the town of Jericho is attacked, a record playing Mozart's Requiem is playing. Specifically, it is at the movement called "Tuba Mirum". When the attack itself begins the vinyl record skips forward and the "Dies Irae" music plays. While an effective moment in the film, if a record skipped forward from the Tuba Mirum it would not land on the Dies Irae (the latter comes before the former on a disk). See more »

Quotes

Black Hat: The church teaches us that the eyes are the windows to the soul. And that since vampire evolved without eyes, it is a soulless creature, to be eradicated. And I have seen the soul of the vampire, and let me tell you that it is far more pure than that of any man. Now you ask me what I am. I am the bringer of the tide. I am the wave that will wash clean this unclean world. And you, and your Priest, will help me do it.
See more »


Soundtracks

Mozart: 3. Sequentia: Tuba mirum (Requiem in D minor, K. 626)
Written by Wolfgang Amadeus Mozart (as Mozart)
Performed by The Academy of St. Martin-in-the-Fields (as The Academy of St. Martin in the Fields) - Conductor Neville Marriner (as Sir Neville Marriner)
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Short, slick and vacuous.
7 May 2011 | by drapertronSee all my reviews

Based on the long-running Korean comic of the same name, Priest is one of those films that's been stuck in development hell for the last few years, running a gauntlet of director and lead actor changes and more recently, coping with a series of release date delays in order to facilitate the inevitably shoddy post-production conversion to 3D that's currently so beloved of mainstream cinema.

The added dimension isn't going to win any prizes - for the most part it is relatively pointless, and the world in which Priest takes place is not interesting enough to require any additional depth.

The ever-reliable Paul Bettany stars as the titular character. Stoic to the end, he's not your typical priest - more a deadly weapon, specialising in martial arts and weapons skills that make him the perfect killer. He exists in a time where vampires are a horrifying reality, battling humans for control of a conflict-ridden, barren wasteland punctuated only by large, soulless, church-controlled cities where humans live only for their faith and 'an honest day's labour'.

You don't watch films like this expecting an Oscar-winning tale, and action-wise, Priest is fairly solid, packing in a series of high-octane fights and chases for its duration. Helmer Scott Stewart knows where to put a camera in order to maximise the impact upon the viewer, and the oil-slick manner in which everything is filmed shows a director moving away from his previous field as a visual effects specialist and having a decent stab at mastering his craft.

Unfortunately, there's not a lot going on when knives and bullets aren't being flung around - the supporting cast of Cam Gigandet, Maggie Q and Karl Urban are given next to nothing to do and the dialogue serves only to move the film along to its next set-piece. Story-wise, it's paper-thin, and it's difficult to care about the motivation of any character when the levels of emotion on display resemble that of Mount Rushmore.

It is also strangely edited - 87 minutes is very short for a film with this kind of budget, and there's all manner of blunt cuts that give credence to the theory that there was once a longer, potentially better film here.

So, was Priest worth the wait? Not particularly, but for all its faults, it certainly has promise. Depending on box office performance, it could really benefit from a deeper, beefed-up sequel along the lines of Blade II. The good news is that there's plenty of source material available for a return to this mythology - it's just a shame that it's as shallow as the film it's spawned.


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