Cast overview, first billed only: | |||
Simon Armstrong | ... |
Wilfred Hosgood
|
|
Ben Batt | ... |
Sergeant
|
|
![]() |
Geoffrey Beevers | ... |
Registrar
|
Rachel Bell | ... |
Midwife
|
|
Paul Brooke | ... |
Mr. Justice Singleton
|
|
![]() |
Huw Ceredig | ... |
John Patrick
|
Richard Clifford | ... |
Alistair Graham
|
|
Richard Dillane | ... |
Lt Col David Talbot Rice
|
|
Joel Dommett | ... |
Train Soldier
|
|
![]() |
Rachel Essex | ... |
Mel
|
Craig Gallivan | ... |
Sailor Beating Dylan
|
|
![]() |
Callum Godfrey | ... |
Boy on Train
|
Simon Kassianides | ... |
Partisan
|
|
Keira Knightley | ... | ||
Anne Lambton | ... |
Anita Shenkin
|
Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two extraordinary women. Vera Phillips and Dylan were teenage loves; fast forward ten years and the two reconnect in London. She's working as a singer whilst he's churning out scripts for government propaganda films and living off the last in a long line of infatuated women. The two former lovers feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship. Caitlin indulges in her own infidelities, and recognises a similar adventurous spirit in her husband. But she knows his connection with Vera is something different, not to mention dangerous. Romantic turmoil continues in Vera's life. She marries her devoted admirer William Killick, but she can't deny the chemistry between herself and Dylan, nor does she ... Written by paul@keiraweb.com
Despite the title and unlike some other stories about love and war, this film isn't too sticky and pink, because love is as a rose: With thorns, that is. The four leading actors set their characters realistic and with a good sense and balance between the tragic and the down-to-earth.
The music and lyrics of the cabaret/chanson-esquire songs (sung b Keira Knightley herself) drag the viewer deeper and deeper in the film, from one place to another, between the brutal war and amongst the peaceful love. Some people may find it too much a biopic, but it ís mostly a romantic story, even though it consequently follows the life of Dylan Thomas and the triangular relationship which is steeped by joy and jealousy.
London gets visualized from another angle for once, the bohemian life of Dylan during the bombings of the Germans is set in a floating atmosphere of small bedrooms, pubs and bars. The independent women, the soldier and the charismatic poet are constantly swept in both feelings of love and anger.
Maybe the end is too twisted and hangs somewhat loosely to the rest of the film, but all in all this is a great romantic story.