Unsold TV pilot and a dark, violent and gory sword and sorcery spoof set in a postapocalyptic new dark age about a Conan-like barbarian warrior hired to steal a golden goblin from a dangerous wizard who lives in a tower in the sky.
The Incredible Hulk, ejected from Earth in a spaceship, crash-lands on a planet ruled by a tyrant, who forces him to fight in a coliseum against other powerful creatures. The Hulk reluctantly befriends the combatants on his team.
Rick D. Wasserman,
Lisa Ann Beley,
In 1939, young Professor Bruttenholm destroyed Erzsebet Ondrushko, a female vampire who bathed in the blood of innocents to stay young. Now someone in upstate New York is trying to bring her back, and the elderly Professor Broom has decided to investigate it himself. He takes the top BPRD agents, Hellboy, Liz Sherman and Abe Sapien, who are more worried about his welfare than the return of any vampire. Their tune changes when they face a horde of ghosts, a phantom wolf pack, witches, harpies, a giant werewolf and Erzsebet herself. Hellboy ends up battling the Queen of Witches, the goddess Hecate, who wants him to embrace his true destiny, a destiny that includes the destruction of mankind.Written by
The villainess is based on Countess Erzsébet Báthory (Elizabeth Bathory in English) of Transylvania, who reportedly had three hundred young serving women put to death, in a human sacrifice cult in the early 1600s. See more »
The wounds on Hellboy's chest disappear when he rips open Hecate's "iron maiden", then reappear. See more »
In the end, the main thrust of the story is largely dealt with by Professor Broom while the rest of his team fights off the other evils in the area. Hellboy himself gets a much more spectacular fight, but it is with a monster that almost seems added as an afterthought when they realized they didn't have enough for him to do.
Taking that into account, though, the story is fun enough to watch and Ron Perlman's wry delivery of Hellboy's lines is always fun. There is nobody who could give life to this character other than Perlman.
The animation is well done and the story moves along with efficient pacing. One thing that could prove confusing to some (though I found it an intriguing story device) is the use of flashback in this episode. The main story moves forward, but the flashbacks move progressively backward. It has the effect of putting both a beginning and an end at both the beginning and the end of the movie.
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