In 1946, a group of German POWs are mistakenly sent to a Soviet female transit prison camp and must cope with the hostility of the Soviet female inmates and guards, under the orders of cruel camp commander Pavlov.
New York serves as a backdrop for a cast of characters in search of love, lust or lucre including a woman who makes awkward moves on the man renovating her SoHo loft, an embezzler, a sleazy artist and a phone psychic.
A Romanian police officer teams up with a small crew of old friends from the World War II Jewish Resistance to pull off a heist by convincing everyone at the scene of the crime that they are only filming a movie.
Sophie Lee has been trying unsuccessfully to get pregnant. Her husband's family, devout Korean Catholics, prays for the couple. His failure to have a child is deeply shameful to him, so when he attempts suicide, Sophie tries something extreme: she follows an undocumented immigrant - a Korean who resembles her husband - from a fertility clinic to his apartment in New York City where she proposes to hire him to sire her child. She offers $300 per session and $30,000 if she gets pregnant. After several sessions, neither is able to keep emotion out of the arrangement. Where can this relationship go, and what about her husband? Will her actions save him and their marriage?Written by
Vera Farmiga plays an affluent woman whose life and marriage is unraveling. She and her Korean husband have been trying without success to get pregnant. Her suicidal husband has given up on the idea, but it's become an obsession with her, the one thing that will fix everything that's broken. She makes a proposition to a young Korean immigrant -- she will pay him $300 in cash every time they have sex, with an additional $30,000 in cash if she conceives.
I had my doubts before watching this film that the screenplay would be able to make this premise plausible, but it does. It sets things up in such a way that they play out honestly, without feeling overly manipulated by the hands of a screenwriter or director. It helps tremendously that Farmiga gives such a good performance -- you have to really understand her character if the movie is going to make any sense, and we do, thanks to Farmiga's commitment to the role.
Though ambiguous, the ending suggests a happy ending that DID feel implausible to me. But the rest of the movie is such a downer that I actually didn't mind it, because I just wanted something positive to happen to this poor woman.
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