Valentine's Day

On the Valentine's Day in Los Angeles, the lives of several dwellers are entwined and affected somehow by love. The florist and owner of the Siena Bouquet Reed Bennett (Ashton Kutcher) proposes his insecure girlfriend Morley Clarkson (Jessica Alba) that says yes to him. His best friend Julia Fitzpatrick (Jennifer Garner) is in love with Dr. Harrison Copeland (Patrick Dempsey), but she does not know that he is married and celebrating his fifteenth wedding anniversary with his wife Pamela Copeland (Katherine LaNasa). The bitter TV sports reporter Kelvin Moore (Jamie Foxx) is assigned by his boss to cover stories of people in love in LA. The phone sex entertainer Liz (Anne Hathaway) hides her profession from her boyfriend Jason (Topher Grace). The grandson of the couple Edgar (Hector Elizondo) and Estelle (Shirley MacLaine), Edison (Bryce Robinson), has a secret unrequited love at school while his grandparents are facing a crisis in their marriage. The executive Holden Wilson (Bradley Cooper) befriends Captain Kate Hazeltine (Julia Roberts) that is eleven months away from home in the fourteen-hour flight back to LA. The contract of the veteran quarterback Sean Jackson (Eric Dane) is not renewed by his team and he schedules an interview to the press with his neurotic publisher Kara Monahan (Jessica Biel) that hates Valentine's Day. The teenagers Alex (Carter Jenkins) and Grace (Emma Roberts) are planning to have sex for the first time. The cheerleader Felicia (Taylor Swift) is in deep love with her boyfriend, the athlete Willy (Taylor Lautner). In the end of the day, revelations will fortify or end loves.

"Valentine's Day" is a sweet movie of director Gary Marshall with a constellation of stars in the cast. The concise screenplay succeeds in developing characters and entwined stories along 125 minutes running time. There are some excellent lines, with jokes (Taylor Lautner telling that he feels uncomfortable taking his shirt off in public is hilarious) and surprises (the revelation of Holden and Kate loves are among the best). I was surprised with the bad reviews in IMDb. My vote is seven.

Title (Brazil): "Idas e Vindas do Amor" ("Comings and Goings of the Love")

I went into this movie thinking it was just a juggernaut of a cast brought together purely to throw together a film to capitalize on V-day but i ate my words after watching it.

The movie is lovey-dubby to say the least but keeps track of each story arch very well and the twists that weave them all together are a lot better than you'd expect. The ensemble cast really shines in this light romantic movie, especially Ashton Kutcher, whose been absent from the limelight for a bit, makes a pleasant return as the florist who is as much of romantic as they come, and George Lopez is also great in his role of the family man with all the right views on love.

This review would go on forever if I broke down the whole cast but they all play their parts very well and portray the many types of love you see, young love, mature love, new relationships, and the also the type of love for someone you didn't realize you had. Love story as it may be its very entertaining and greatly portrays the randomness of love and how in its truest form is more important than anything else.

I don't make a habit of seeing chick flicks and had this movie shot down before I even saw it and was joking the whole time before how it would be awful, but here Im willing to say I judged to soon. I give the movie 3 out of four stars

First of all, i'm a guy. I'm into movies of all kinds, so I didn't have to get dragged to see a romantic comedy by my girlfriend. I was in two minds about this movie before we watched it, having so many big name actors all in one movie I thought might detract from the story somewhat, but I thought it might work if they do it right. Well, they did. This movie had me feeling for, well, MOST of the main characters. Ashton Kutcher was very good in this movie, he also had one of the bigger roles and he pulled it off really well. The others were mostly good too, Taylor Swift's character was kind of annoying, but I think she was supposed to be. The story had me intrigued from beginning to end, seeing how all the different characters were connected and the chemistry between each couple was very believable also. If you watch this with your partner, it will make you feel closer. If you watch this without your partner, it will make you miss them. If you watch this while single, it will give you hope that there's someone out there for you. I'd recommend this to anyone who's looking for a good valentines day romance or even just a good movie. 8/10

You don't know what awful is until you've seen this film. I wasn't looking for a profound commentary on the human experience - I watched "Valentine's Day" expecting 100 minutes worth of harmless and fun escapism. To say that I was disappointed is a bit of an understatement.

To begin with, the film is WAY too long - or perhaps it just seems like an eternity. Minute after minute, it is sickeningly sappy and sweet, without any depth of character or plot to justify its duration. The acting is for the most part atrocious - or, at best, mediocre. Taylor Swift, in a nightmarish "comic relief" role, and the annoying little boy, in particular, stand out as paragons of annoying incompetence. However, the writing is so awful, even the greatest of thespians could not make this movie bearable. I honestly felt rather embarrassed for the actors, most of whom I'm sure are quite capable if given a half-decent script. Perhaps worst of all, "Valentine's Day" acts like it is an eye-opening and touching study of human relationships, while it's really drivel.

If there's anything I'd like the reader to learn from this review it's to avoid this film at all costs. It isn't good, it isn't even so-bad-it's-good - it's just plain dreadful.

Did you read that cast list? Gives the term 'star-studded' a new meaning. Imagine what kind of film you could make with all that talent. Well, Valentine's Day is not that film. Far from it in fact. This who's who of a cast hampers any chance of real emotion due to the need to share screen time among them all. When you start getting interested in a character you'll most likely not see them again for another 45 minutes, pretty annoying when there are so few likable characters in the first place.

What is perhaps the scariest is that despite a plethora of plots, subplots and sub-subplots – all intertwining somehow – there isn't a shred of originality. Sure, you might be surprised who Bradley Cooper hooks up with at the end, but one small unforeseen twist barely counts. Bulge and fluff replace characterization and narrative development whilst the corny dialogue comes off as cutesy more than cute. It all goes back to the bloated cast: with over 20 stars that need their quota of jokes, sobs and happy endings filled, it's majorly difficult to dedicate any real time to exploring the unique intricacies of love and loss. See the far superior Love Actually for how it's done.

Saving it from complete dreadfulness is a handful of these big names – probably not the ones you would suspect – who manage to squeeze a laugh from their one-dimensional roles. The two Taylor's, Lautner and Swift, play their love-struck high school couple with a cheerful amount of tongue-in-cheek; Kutcher proves his charisma can go a long way as a heartbroken florist; and Cooper and Roberts (Julia, that is) are intriguing as plane passengers who don't know each other. Biel should hang her head in shame though, her standout woeful performance surely an early front runner for this year's Razzies.

Save your money and revisit its British counterpart on DVD instead.

1.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)