After the death of her ill mother in a fire, the young teenager Anna tries to commit suicide and is sent to a mental institution for treatment. Ten months later, Anna still cannot remember what had happened on the night her mother died. Her psychiatric Dr. Silberling, however, discharges her telling that she has resolved her issues. Her father and successful writer, Steven, brings her back home in an isolated mansion nearby the coast. Anna finds that her mother's former nurse, Rachel Summers, is her stepmother now. Anna meets her beloved sister, Alex, swimming in the sea. She discovers that Steven has not delivered the letters and CDs that Alex had sent to her. As time moves on, Anna is haunted by ghosts and she believes that Rachel killed her mother. Alex and Anna decide to look for evidence to prove that Rachel is the murderer and Anna discovers the truth about the fire in the boat house.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When producer Walter F. Parkes was asked of the shooting location, he said: "80% of the story takes place at the house, so we couldn't make the movie without the right one. It couldn't have been more important. We scouted Louisiana, an environment which is both beautiful and slightly threatening. We had two houses which were terrible compromises, but both of them fell through. We had a difficult time finding anything that had both the connection to the story and the right logistical possibilities. But then we were lucky to find in Canada a place that seemed as if it had been built for our movie. It was perfectly evocative and suggestive of a family that is both welcoming and forbidding. The fact that the house was within 30 miles of Vancouver was a greater plus than the minus of having to get everyone on boats to get them over there; water taxis and ferries are a way of life up there. In fact, I don't remember ever having a more pleasant time on a location. Getting onto a boat and having a cup of coffee and then going up the little pier and the stairs we built, it focused us. We were isolated with one thing on our minds, which was making this movie. It was great." See more »
When Matt visits Anna and her family for the first time to deliver some goods he ties the boat to the dock with a rope. When Rachel sends him away, he quits without untying the boat. See more »
I love you. And I have a condom.
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While many people are just so put off by this film for many reasons, I was very surprised by how it actually turned out.
Although the original, "A Tale of Two Sisters", was an epic movie that delivered certain moods and feelings that this movie (and most other films to date) couldn't quite capture, this film was still just great.
One thing to understand was that this movie was completely westernized. Remakes such as "The Grudge" take place in Japan, but the main characters are replaced with an American or European cast, and sometimes the story just doesn't quite fit the way it should with that type of a cast. In this film, the "A Tale of Two Sisters" story is completely translated into an American setting, in the north in a small town. The characters are tweaked a little to accommodate the new setting, and so are some of the scenes and plot lines. This is where many fans of the original get upset and get their panties in a bunch.
If this film was truly remade true to the original, it would just be the original film itself being remade 5 years later with the same cast and same script. This film is honestly one of the best Asian-horror remakes that has been made in the past 3 or 4 years if not ever. The cast gives solid performances and there were little or no plot holes. There were actually less plot holes in this film than the original. Of course I liked the original more, but I'm just saying this film executed certain things that the first film didn't, just like the first film executed certain things this film didn't. They are meant to be similar but different, and that is what makes both of them worth seeing.
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