A dramatic thriller about Diana, a suburban wife and mother who begins to question her seemingly perfect life--and perhaps her sanity--on the 15th anniversary of a tragic high school shooting. In flashbacks, Diana is a vibrant high schooler who, with her shy best friend Maureen, plot typical teenage strategies--cutting class,fantasizing about boys--and vow to leave their sleepy suburb at the first opportunity. The older Diana, however, is haunted by the increasingly strained relationship she had with Maureen as day of the school shooting approached. These memories disrupt the idyllic life she's now leading with her professor husband Paul and their young daughter Emma. As older Diana's life begins to unravel and younger Diana gets closer and closer to the fatal day, a deeper mystery slowly unravels.Written by
The names of the 26 victims seen on the memorial and the banner (with the exception of prominent characters such as Maureen and Mr. MacLeod) are the names of members of the production crew who worked on the film. See more »
[All goofs for this title are spoilers.]
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William James, that most American philosopher, once advised: "begin to be now what you will be hereafter". One might ask how? Our deepest guide in our beginning to be, is our imagination. Our ability to project, and mold our future selves from the myriad possibilities before us. And to imagine takes courage and effort. But it gives us hope too, hope that we can author our own destinies, hope that rightness of the decisions we make now will be borne out in the future. As much as we can be ...
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She's Not There
Composed by Rod Argent
Performed by The Zombies
Publisher: Marquis Music Co. Ltd. for the World
Zombies recording licensed from Marquis Enterprises Ltd. See more »
Feels Emotionally Distant
I was expecting a lot more. House of Sand and Fog was brilliant, but Perelman loses it in his second film, but it really isn't him that hurts the film the most, although he does lose himself in the imagery a little but. Most of the flaws of the film can be attributed to the screenplay, It never fully meshes. Also the plot twist at the end completely ruins what we have seen, which isn't far above mediocre as is. There are, though a couple of good things about the film. Most notably the performances by Wood and Amurri. They are natural and wonderful. They almost make the film worth watching. The cinematography is also rather beautiful, in fact almost too much so for the film. It makes it seem even more artificial.
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