Katya is a girl from a wealthy family who yearns for adventure. Keeping it secret from her mother she applies to a model agency and goes to Dubai to take part in a fashion show. But instead... See full summary »
Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he's handed off to his mother's therapist, Dr. Finch, and spends his adolescent years as a member of Finch's bizarre extended family.
A dramatic thriller about Diana, a suburban wife and mother who begins to question her seemingly perfect life--and perhaps her sanity--on the 15th anniversary of a tragic high school shooting. In flashbacks, Diana is a vibrant high schooler who, with her shy best friend Maureen, plot typical teenage strategies--cutting class,fantasizing about boys--and vow to leave their sleepy suburb at the first opportunity. The older Diana, however, is haunted by the increasingly strained relationship she had with Maureen as day of the school shooting approached. These memories disrupt the idyllic life she's now leading with her professor husband Paul and their young daughter Emma. As older Diana's life begins to unravel and younger Diana gets closer and closer to the fatal day, a deeper mystery slowly unravels.Written by
The names of the 26 victims seen on the memorial and the banner (with the exception of prominent characters such as Maureen and Mr. MacLeod) are the names of members of the production crew who worked on the film. See more »
[All goofs for this title are spoilers.]
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William James, that most American philosopher, once advised: "begin to be now what you will be hereafter". One might ask how? Our deepest guide in our beginning to be, is our imagination. Our ability to project, and mold our future selves from the myriad possibilities before us. And to imagine takes courage and effort. But it gives us hope too, hope that we can author our own destinies, hope that rightness of the decisions we make now will be borne out in the future. As much as we can be ...
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This is one of those films that is difficult to review without reviling any key plot points, so I will try my best to not. First off the acting is really good in this film, the original premise of this film is great and even Academy Award material. Instead of taking advantage of this, the director Vadim Perelman tries to be to clever for his own good. Within it's closing minutes the director decides to pull the carpet from underneath the audience, sometimes that works, but in my opinion, not here. Mostly because I liked the direction the film was going, I liked the original idea, a lot, but instead of that we have a forced ending, that has the audience scratching there heads and trying to put it all together. Sure there are times when putting it all together after the film is good, but at the expense of a possibly great film, it's just not worth that. I don't want my comments about the directors decisions to take away from Evan Rachel Wood and Uma Thurman's performances, they were both great and deserving of a much better and emotional final scene. There I think I did it, now you won't know what's coming, you'll just know it's going to be crap when it does.
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