A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.


Xavier Gens


Xavier Gens
1 win & 6 nominations. See more awards »





Cast overview, first billed only:
Karina Testa ... Yasmine
Samuel Le Bihan ... Goetz
Estelle Lefébure ... Gilberte
Aurélien Wiik ... Alex
David Saracino David Saracino ... Tom
Chems Dahmani Chems Dahmani ... Farid
Maud Forget ... Eva
Amélie Daure ... Klaudia
Rosine Favey Rosine Favey ... La mere
Adel Bencherif ... Sami
Joël Lefrançois ... Hans
Patrick Ligardes Patrick Ligardes ... Karl
Jean-Pierre Jorris ... Von Geisler
Stéphane Jacquot Stéphane Jacquot ... Policeman
Christine Culerier Christine Culerier ... Nurse


In Paris, during the riots due to the election of a conservative candidate to the presidency of France, a group of four muslim small-time criminal teenagers from the periphery; Alex, Tom, Farid, the pregnant Yasmine, and her brother Sami, plan to run away from Paris to Amsterdam with a bag full of robbed money. However, Sami is shot and the group split up, with Alex and Yasmine going to the emergency hospital with Sami while Tom and Farid head to the border with the money. Tom and Farid decide to stop in a bed and breakfast nearby the frontier, and are hosted by Gilberte and Klaudia that offer free room and sex to the newcomers. They call Alex and Yasmine who are fleeing from Paris to join them in the inn. But soon they discover that their hosts are sadistic cannibals of a Nazi family led by the deranged patriarch and former SS officer and Nazi war criminal Le Von Geisler who plans to make Yasmine the brood mare for a new Aryan master race. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


Some lines should not be crossed... See more »




Unrated | See all certifications »

Parents Guide:

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Did You Know?


The tune that Von Geisler is heard whistling is "Lili Marlene," a popular song in World War II Germany. See more »


After Yasmine escapes from the house and takes the elevator down into the shafts below, she leaves the outer elevator gate open, which is seen as the elevator is recalled to the surface by Karl. Later, after she kills Goetz on the table saw, Karl exits the elevator into the shaft, having to open the outer gate again, which is now closed. See more »


[first lines]
Yasmine: My name is Yasmine. I'm three months pregnant. One day, someone said "Men are born free with equal rights". The world in which I live is the opposite. Who would want to be born to grow up in the chaos and the hate? I've decided to spare him the worst.
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Alternate Versions

The German versions had to be cut to be released at all. The rental version was cut by ca. 3 minutes to secure a light SPIO/JK approval, whereas the retail version was cut by ca. 7 minutes for a "Not under 18" FSK rating. See more »


Referenced in Viande d'origine française (2009) See more »


Evolution Reversed
Written by Udi Kagan and Jean-Pierre Taïeb
See more »

User Reviews

Gloriously gory... but nothing new!
22 July 2008 | by luke-346See all my reviews

Frontier(s) is a French horror film written and directed by Xavier Gens, also responsible for the computer game inspired film, Hit-man. The film begins in Paris with a group of criminals involved in a heist. As they are carrying out their robbery something goes wrong and it descends into chaos leading to the group splitting up and arranging to meet in a hostel out in the sticks. Unbeknown to the criminals the hostel owners are neo-Nazi degenerates with a hidden agenda, part of this agenda being the mutilation, torture and murder of their new guests.

Ultimately I did not warm to this film as I found it to have too many problems. Coincidently the first of which occurs in the very first few scenes of the film. These opening shots utilize frantic camera-work interlaced with rapid editing that both confuses and disorientates the viewer. On a personal note I find this method of film-making to be unnecessary especially when executed so poorly. This technique is superfluous, MTV-inspired and amateurish and does nothing but cheapen the film. The over arching feeling of the opening few scenes is that of the director trying his best to hurry the viewer or rather speed up the narrative in order to get us the "meaty" part of the film. In general the direction of the film was mediocre with dingy and overly stylized scenes, the final reels being a fine example of this.

Once the "meaty" part of the film arrives we are treated to some gruesome acts of violence and horrific forms of mutilation, which to give it its due are a lot more impressive than the film Hostel. When viewing Frontiers horror fans will notice the vast array of influences/rip-offs from the previously mentioned Hostel to The Hills Have Eyes, The Descent, Wrong Turn, The Texas Chainsaw Massacre, House of a 1000 Corpses, Blair Witch… etc etc! In fact it draws so heavily from other films a case for plagiarism could probably be made, some critics citing it as the 'French Chainsaw Massacre'. Although it seems obvious to draw comparisons with Texas Chainsaw Massacre, Frontiers lacks the suspense of that film and the ingenuity of direction that was so wonderfully conveyed by Tobe Hooper. On the surface Frontiers appears to have been made by people that have seen a lot of horror films but have failed to grasp the concept of what makes them successful, something a lot of horror aficionados can do – and probably would do if they were given the same resources. Frontiers fails to further the genre or create anything new, instead it offers the same old "been here, seen it".

Essentially the film lacks identity and this is due to it feeling too much like a Hollywood film. Often fans of the genre turn to other countries for something new or fresh or for something that isn't available in their own culture, but with Frontiers this isn't offered. Being so Hollywood in its construction with its stylized death scenes and MTV School of directing it alludes to the possibility of a director that is using this film as a cleverly engineered stepping stone in his career, and given his next feature it seems to have paid off. Basically Frontiers is a film that shouldn't have left the drawing board The redeeming features for Frontiers are its violence and gore content as it does contain some memorable death scenes - but even here I still feel it's trying too hard to compete with the Saw franchise. There has been a market for this kind of violence with some referring to it as "Torture Porn" but perhaps mediocre films like Frontiers indicate that it's nearing an end. This notion is further supported by the fact the film lacks any originality or intellect – the fact it tenuously draws on recent French history and has a Sarkozy lookalike on TV doesn't qualify as intellect.

Finally, the manner in which the film has been made hints at a director that is clearly full of his own ego and if this were the case it would help to explain the shaky camera-work in the opening scenes as maybe whilst filming he's masturbating furiously at his deluded talent. I would recommend avoiding Frontiers if you like your horrors to be engaging but that maybe you'd enjoy it if you're only after high levels of violence and gore - just fast forward the first few scenes.

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France | Switzerland


French | German

Release Date:

23 January 2008 (France) See more »

Also Known As:

Frontier(s) See more »


Box Office


$3,000,000 (estimated)

Opening Weekend USA:

$512,000, 11 November 2007

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

2.35 : 1
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